Yitzhak Hizkiya

The second chapter in Assi Dayan's trilogy centers on three marginal characters from "Life According to Agfa". Malka, a whore with a Romanian accent who dreams of becoming a singer, Levi, her pimp and Moshe, a homeless man who dreams that Malka will love him and follows Malka and Levi. Levi navigates the trio in a grotesque and turbulent world in which people have lost the purpose of their existence. The result is a black comedy that combines the elements of the film "Bourekas" with poetic enlightening moments, all in the special, confident and blatant style of Assi Dayan.

The love story of Margalit (Pnina Gary), who lives in Nahalal, and Eli Ben-Zvi, son of Rachel Yanait and Yitzhak Ben-Zvi, Israeli's second president. The year is 1947, a tumultuous period as tensions rise between the Israeli settlement and the Arab tribes and neighboring countries. A chance encounter sparks love at first sight between Margalit, of Nahalal – a cooperative workers' settlement – and Eli Ben-Zvi, the Muhtar of the Beit Keshet kibbutz. The affair is off to a rocky start, as Eli is committed to the defense efforts that preceded the Arab-Israeli War of 1948 and the birth of the State of Israel. The two go on to set a wedding date, but the fight for a nation leaves no room for young lovers.

This three-part television courtroom drama series is based on one of the most controversial trials in Israel’s history. In 1944 Dr Yisrael Kastner, a member of the committee for the rescue of Hungarian Jewry, succeeded in saving the lives of 1,685 Jews by gaining permission for them to leave Budapest. A decade later he was accused of collaborating with the Nazis and was assassinated. Focusing on the courtroom procedures of 1954–5, as well as on the private lives of the protagonists, and drawing on court proceedings and interviews, the drama deconstructs the narrative of the Holocaust, bringing out issues such as the ineffective policy of the Zionist leadership regarding the Holocaust and the morally ambivalent stance of the survivors.