Mao

Genç yönetmen Higurashi, zombilerle ilgili düşük bütçeli bir korku filmi çekmeye karar verir. Pek de yetenekli olmayan oyuncularla çekime başlayan yönetmen İkinci Dünya Savaşı zamanında terk edilen bir Japon tesisini kullanır. Ancak çok geçmeden sette gerçek zombilerin saldırısına uğrarlar. Ekip ve oyuncular son derece tehlikeli olan zombilerden kaçmaya çalışırken yönetmen bunu bir fırsata çevirmeye, her şeyi kayıt altına almaya karar verir.

Yamano Yamame, an entertainer who can't sell, is unreasonably told by his seniors that he should live in the accident property because he will put it on TV, and he moves to the property where the murder occurred due to his appearance on TV and the low rent. At first glance, the room was a normal room, but a mysterious white object was reflected in the image of the room, and the sound was disturbed. The program in which Yamame appeared became lively, and Yamame moved around the accident property in search of new material. Yamame, who encounters various mysterious phenomena in the room where he lives, makes a big break as an "entertainer who lives in the accident property".

Cast and crew reunite to film a spin-off, this time set in Hollywood, boasting more zealous zombies and beefed up with international characters.

Sugai works as a driver at a chauffeur service company at night. On the night of a full moon weekend, he is told to pair up with a newcomer Kariya. Kariya is a mysterious young guy who gives a silly quiz to Sugai while they work. Sometime later, a drag queen comes to the office and asks for Sugai, saying that someone is trying to kill him. Sugai actually has a past that he could never forget. His colleague tells him that on the night of a full moon weekend something bad would happen...

The cast and crew of the original One Cut of the Dead come together via video chat to help Higurashi create a short film about a true crime case during lockdown.

When Shoichi learns that a former coworker is behind a publisized murder, he takes it to social media to reveal that he knows the murderer. But when he agrees to be interviewed by the media, his life is about to change.

When sophomore university student Nanamori meets Mugito, they decide to join a club. Intrigued by the Plushies Club, they soon realize it is not a place where people make plushies, but rather one where members are welcome to talk to stuffed animals about their feelings, or anything they might not want to discuss with other people. An introvert’s paradise. A safe space. An escape from society’s pressures and rules. For Nananori, it’s a natural fit: the club allows him to explore his uneasiness about dating and society’s imposed gender roles. But soon, an overwhelmed Mugito disappears, and the more pragmatic club member Shiraki begins voicing opposition to the group’s insular methods. Real life encroaches.

Hana comes from a family that has been thieves for generations. Hana refuses to become a thief and she wants to live a normal life. She currently works as a librarian and she is dating Kazuma, who works as a public officer. She hears that Kazuma's family are all public officers. One day, Hana visits Kazuma's family. She discovers that Kazuma's family, including Kazuma, are actually all police officers. Hana gets involved in a case and falls into trouble. Based on novel "Rupan no Musume" by Dai Yokozeki.

Koshiro runs a temp agency experiencing financial distress. Koshiro dreams of becoming a successful businessman. Akiba who was once a successful businessman, is now working on developing apps in Koshiro’s office. Isao runs a successful investment company and dominates people with his wealth. Akiba and Isao team up to buy a Tokyo broadcasting station.

A love story between a 24-year-old office worker who has neither love experience nor communication skills and a 32-year-old female shōgi player he meets on his daily commute.