Wojciech Starostecki

Ukraynalı Zhenia, Polonya’da masör olarak çalışan bir göçmendir. Zengin bir topluluğun içine dahil olan Zhenia, çalıştığı insanların maddi olarak sıkıntıları olmasa da manevi olarak mutsuz olduklarını fark eder. Mesleğini en iyi şekilde yapmaya çalışan Zhenia, müşterilerini kendisine hayran bırakır. Elleri ile müşterilerini iyileştirip, gözleri ile onların ruhlarına dokunan Zhenia, zamanla müşterilerinin hayatını değiştirmeye başlar.

The story takes place in the contemporary Polish provinces. Zenon Okrzasa finds a wallet with 10,000 zlotys in the forest, but without bland documents. He takes his discovery to the nearest police station. When information about his glorious deed appears in the local press and television; Zenon Okrzasa is considered by the inhabitants of his town to be a complete idiot and even a dangerous and anti-social individual. More misfortunes begin to fall on his head.

The story of two very close lesbian friends: Małgosia and Mariola. One day, Małgosia learns that she is terminally ill. Together with her friend, she goes to a sanctuary famous for miracles. Along the way, they see the figures of the seven deadly sins and a number of characters from the New and Old Testaments. As the plot unfolds, the viewer learns that the whole journey is not real, but takes place only in the imagination, the inner space of the characters.

A surreal collage of interrelated threads revolving around history of thirty-year-old Kuba who, with his parents' encouragement, decides to take his first job. Though none too convinced, he starts work as a delivery man. Having set out on his first delivery soon after he witnesses a traffic accident. He ends up giving a statement at the police station. And his plans begin to unravel. By a twist of fate Kuba has no idea about the significance of the part he will have to play on this particular day.

Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.

Jurek, a medical student and notorious womanizer, spends the night with Anka, a carefree and spirited girl who does not want to continue the relationship. The couple meets again after a few months. Jurek is forced to look for a place to live. He finds an offer for a room for a medical student in exchange for caring for a sick person. Together with the girl, Monika, they go to the address provided. It turns out that the sick person is Anka. She had an accident while horseback riding and is now in a wheelchair. After some hesitation, she agrees to let Jurek take care of her.

Zygmunt Latawczyc - a graduate of the Academy of Fine Arts in Poznań - is, as he himself says, "a naturalist painter". As such, he cannot paint from television, photos, scans, the Internet - only "exclusively from nature". That is why most of Latawczyc's money is spent on models. An additional circumstance is that Zygmunt - "never dreams of anything". When Zygmunt meets the beautiful model Zuzanna, he quickly comes to the conclusion that he should necessarily paint her with a parrot on his shoulder. The parrot (Ara Ararauna) selected for this purpose costs PLN 6,000.

Father Matthew is about the adventures of a Roman Catholic priest who, after returning from a mission to Belarus, is sent to work in a small parish. As a pastor, together with a friendly policeman, he solves mysteries and gives help to his parishioners, as well as all those who are in need.

Decalogue, Krzysztof Kieślowski'nin yönettiği ve Kieślowski'nin Krzysztof Piesiewicz ile birlikte yazdığı ve Zbigniew Preisner tarafından hazırlanan bir müziği olan 1989 Polonya televizyon tiyatrosu dizisidir. On Emir'in esinlendiği on adet bir saatlik filmden oluşuyor. Her kısa film, modern Polonya'da yaşayan karakterlerin karşılaştığı bir ya da birkaç ahlaki ya da etik sorunu araştırıyor.Serisi Kieślowski'nin en beğeni toplayan eseri olan "şimdiye kadar televizyon için yapılmış en iyi dramatik eser" olarak söyleniyor ve birçok uluslararası ödül kazandı, ancak 1990'ların sonlarına dek Avrupa dışında yaygın bir şekilde yayımlanmadı. Film yapımcısı Stanley Kubrick 1991'de yayınlanan senaryosuna hayranlıkla bir önsöz yazdı.