Dirk Sanders

Jean-Luc Godard'ın başyapıtı Pierrot le Fou (Çılgın Pierrot), yönetmenin uzun ve parlak kariyerinde önemli bir kilometre taşıdır. Karışık bir dönüm noktası olan film, Godard'ın Breathless (Nefes Nefese, 1960) ve Vivre Sa Vie (Hayatını Yaşamak, 1962) gibi eserlerinin deneysel yaşam gücü ve Week End (Hafta Sonu, 1967) ve Wind from the East (1969) gibi son derece politik, alaycı ve acı bir biçimde komik filmleri arasında kalır. Pierrot le Fou, her ikisinin öğelerini de barındırır ve sırf bu nedenle izleyici için zengin bir deneyim fırsatı sunar. Ancak filmin sahip olduğu bir başka koz da gerçek güzellik duygusu. Eleştirmenler, Godard'ın polemik yaratan üslubuna karşın zarif bir biçimde güzel filmler de yaptığını unutmaya meyilli ama Pierrot le Fou, hiç kuşkusuz Contempt'le (1963) birlikte, bu açıdan değerlendirilmeli.

A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.

After achieving fame as a movie star, a woman finds her private life invaded by relentless fans, leading her mother’s ex-lover to intervene and offer protection.

A Las Perlass, ville de jeu du Névada, bandes rivales de Lippy et de Steinberg tiennent les plus beaux établissements de l'endroit. Franck Bradford has hired Jeff Burlington as a comedian, who, to cheer up a difficult audience, launches nightly verbal attacks on Lippy's casino where, he says - the games are rigged. Each of the two gangs sends a henchman to either stop the sarcasm or get in trouble if they don't leave their act as it is. Un certain "Main d'or" qui est autre que Bradford fait attaquer casinos. C'est Jeff, après avoir été kidnappé par les deux bandes devenues amies, quiasquera coupable.

An unlucky trumpeter and a young singer try to rebuild their lives in Brazilian nightclubs. They will try everything for everything while making a risky heist.

Onboard a spaceship sailing into infinity, generations of travelers are subject to dictatorial rules imposed by the central computer "Psycho." Recruited as a new police officer, Eddy Burns will discover the terrifying secrets behind this flawless system.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.