Andrey Rodionov
Senarist · d. 1971 · Moscow, USSR (Russia)
Filmler4
Film6.3DramBilim KurguFilm, Sovyet sonrası Rusya'da yaşayan bir çizgi roman sanatçısı ve ailesinin hayatına odaklanıyor. Gripten muzdarip olan Petrov, arkadaşı Igor tarafından uzun bir yürüyüşe çıkarılır. Yürüyüş sürecinde rüya ile gerçek arasındaki sınır gittikçe belirsiz hale gelir. Yavaş yavaş, Petrov'un çocukluk anıları yeniden ortaya çıkıyor ve şimdiki zamanla iç içe geçer.
Film6.0GizemDramBefore leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.
Film4.0DramSingle mother Maria lives with her son and daughter in a science city, which is being prepared for liquidation. She believes that her physicist husband, who disappeared six years ago during a scientific experiment, is somewhere nearby — just in another dimension. A former colleague of her husband arrives in the city in search of the missing person's records, and Maria has a boyfriend-trucker Stas, ready to take her away with her children and start a new life together. Faced with a choice, a woman can not decide to leave her invisible husband.
FilmDramAccidentally, Alyona finds herself alone in her lover's country-house on Christmas Eve. All she can see from the window is a snow-covered desert, and a cat is the only living creature who is near. The heating is turned off, her mobile phone battery is low. Alyona tries to get out of the country-house, but the more external circumstances she overcomes the deeper she sinks into her inner hell. At the end of the day her desire to escape suddenly evolves into desire to die. There are three layers in the film: physical, symbolical and metaphysical. All Alyona's activity is a surface that hides her struggle with her inner demons, her existential solitude and her inability to cope with it. Trying to escape the swamp of unsolved issues Alyona sinks only deeper and deeper to reach the bottom, then push off and start her way to inner resurrection. The only thing we are never given enough is love. The only thing we never give enough is love.