Jhon Narváez

Rapayet, aile kurma hayalleri kuran genç bir adamdır. O, köklü bir ailenin kızı ile evlenmek istemektedir, fakat öncelikle başlık parası için gereken parayı bulması gerekmektedir. Güçlü bir adam olma arzusunda olan Rapayet, para kazanmak için en yakın arkadaşı Moises ile birlikte uyuşturucu kaçakçılığı işine girer. Bağlı bulundukları kabilenin önde gelen isimlerinden olan Ursula ise, onların bu işe karışmasını istememektedir. Ancak onlar kimseyi dinlemeyip işe koyulurlar ve kısa sürede düşlediklerinde de çok para kazanırlar. Artık onlar, hayal edemeyecekleri kadar zengindir. Ne var ki bu kazanç, beraberinde hırs ve açgözlülüğü de getirmiştir. Gittikçe geleneklerinin ve aile bağlarının zedelenmesine neden olan Rapayet, şerefin en değerli kazanç olduğunun farkına varıp, ailesini korumak çalışır. Ancak ne yaparsan yapsın kendisini borcun kan ile ödendiği bir çatışmadan uzak tutamaz.

The hardest blow is to be forgotten.

Joe Arroyo and his musicians will embark together on this psychedelic journey through various hotel rooms. Rebelión is the portrait of a genius in the depths of his intimacy, the throb of a soul in love and tormented by that great love: music. It is a timeless journey through his life, passing through the dark and lonely place where the creative act happens, where his talent is on the surface and his emotions are free, as well as his whims. The story takes place in hotel rooms, overflowing with chaos and the genius of Joe. A hotel room that are many and that, in turn, contains the agony of the genius who sabotages everything he loves to remain free.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

In a retro-futuristic, tropical-punk twist on Dante’s Inferno, a group of misfits converges at Babel, a legendary dive bar that doubles as purgatory, where La Flaca—the city’s Grim Reaper—presides. Here, souls gamble years of their lives with her, daring to outwit Death Herself.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

When a young Bogotá-based detective gets drawn into the jungle to investigate four femicides, she uncovers magic, an evil plot and her own true origins.