Marcel Mazé

Filmler7

• Film8.0

  DramFantastik

  The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

  Mira corpora

  2004 · 1 votes

• Film8.0

  Dram

  The fortuitous meeting of two women to the identical first name, Lucy, who formerly loved the same man, Jonathan, induced, in this film, of the polysemous variations on the memory, art, and the difficult relationship between creation and emotional life. Dehumanized by an exclusive artistic practice, the man lost his reference marks little by little. "Lucy en miroir" wants to be, also, a shifted and transverse second reading of "The Contempt" ("Le Mépris") of Godard, by a step more plastic than analytical or conclusive.

  Lucy en Miroir

  2003 · 1 votes

• Film

  Belgesel

  30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

  Zanzibar à Saint-Sulpice

  2007

• Film

  Belgesel

  The ending of filming 24 passions over 24 years in Burzet (France). Shot on a silver film, it takes us on a tour around the area now left empty.

  Car seuls les dieux ont mordu la pomme de l'amour

  2011

• Film4.7

  Between music and silence, a pale boy handsome as a statue by Canova and a flamboyant black boy in a ritual photographed by Marcel Mazé. With the presence of a Michel Journiac's self-portrait sculpture, votive offerings of sacred skulls and crucifixes, dried flowers, Monique Delvincourt fragmented mirrors, Louboutin heels, images of the assoluta Diva and a sound re-articulation of Gounod's Faust by Berndt Deprez.

  Le veau d'or

  2002 · 3 votes

• Film

  Belgesel

  The episode of Gérard Courant's Carnets filmés, Crime contre le cinéma (December 25, 2006 to December 2, 2006) is divided into four parts: Colas Ricard at Centre Pompidou, Joseph Morder at La Rochelle, the Filmer à tout prix Festival in Brussels, and Michel Nedjar and Jakobois at Centre Pompidou.

  Crime contre le cinéma

  2020

• Film8.0

  With an editing engraved as a jewel, this movie is a real neo-baroque manifest. On the one hand, the Seine's sparkling, the Alexandre III bridge's sculptures and the majestic stairs descents of a mysterious personage ; on the other hand, the brilliance of a mirror reveals a lascivious inner space, invaded by art works, strange objects, tropical plants, heavy clothes, in the middle of which sit enthroned the Aesthete contemplating male nudes photos. The crystalline voice of a counter-tenor celebrating Bach perfects the voluptuous feeling emerging from this movie.

  Les métaphores d'Alex

  1998 · 1 votes