Marlene Hauser

Söylendiğine göre Bavyera Düşesi Elisabeth’in bel ölçüsü yıllar boyu yalnızca 45 cm olarak kalmış. Fakat Sisi olarak da bilinen Avusturya İmparatoriçesi Elisabeth, yalnızca belini böyle ince özel yapım korseleri yüzünden değil, Viyana’daki sarayda kendine biçilen sessiz ve işlevsiz biblo rolü yüzünden de boğulmuş, nefessiz kalmış.

Film, farklı korku hikayelerinin birleşiminden oluşan bir antoloji. Töresel ayinler, efsaneler, halk hikayelerinin anlatıldığı film, en karanlık korkularınızı anlatıyor.

Matthias, mükemmel bir sevgili, kusursuz bir evlat ya da evlilik danışmanı gibi davranmakta ustadır. Kendisi için başkası olmak mesleğinin bir parçası. Asıl zorluk ise kendi kimliğine bürünmesi gerektiğinde başlar.

Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. One summer evening, Ursula falls for a mysterious musician from the city, while Neda is convinced that she recognized an old friend from Tehran in an equally enigmatic street sweeper. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains...

The performances by Petra Morzé (as a mature thespian preparing for a video audition) and Marlene Hauser (as the daughter assisting her) illuminate this gently comical drama that intelligently touches on a range of issues within its brief running time.

When 12-year-old Karli moves to an old hotel in the Alps, he discovers an elevator that harbors a secret – it’s a magical time portal that transports him back to 1938! There, he befriends Hannah, a spirited Jewish girl, and Georg, a shoeshine boy. But when Georg is falsely accused of stealing, the children must solve a mystery case hidden within the hotel’s walls, all while the shadow of Nazi Germany begins to grow around them.

Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.

Three friends undermine the job-swapping in the company that exploits them and pull each other out of the swamp of capitalism (into which they will repeatedly fall).

The Viennese cab driver Maggy has all kinds of problems, not least monetary ones. But suddenly Maggy's financial problems could solve all by themselves when Juliette Koons, who has been reported missing, gets into her cab with a heavy suitcase.

Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.

Helene (86) and Toni (70) are completely different. One is planned and well-timed, the other impulsive and spontaneous. As an unlikely team, they embark on a journey to Switzerland for euthanasia. But their road trip through the mountains turns out differently than planned.

Joni is dead. His girlfriend Lena receives the devastating news in a hospital in Georgia, where Joni had spent several months. Far from home, he wanted to find himself again. However, as Lena soon finds out, what he also found is an art student named Nana.

It was her voice that made him want to stay. Only first he has to win everyone’s vote. Downvoted by the community a young man learns how to play by the rules of a bizarr jazz club, lobby to the top and all for love and glory. Yet can one persevere in society without losing one's soul?

Places of longing loaded with expectations are usually only of a snowball throw away from the next disappointment. And on Austrian slopes the disappointments occur in the interpersonal realm. Bernhard Wenger stages his latest film as a painfully realistic, but also humorous, episodic mockumentary captured by weather cameras.

Its summer and Yasmin spends her days at her family’s house in the countryside. Together with her boyfriend and his children, she goes on trips to the lake, life seems carefree. But it soon becomes clear that tensions are smoldering under the shimmering summer heat: what begins as an atmospherically narrated family drama, increasingly slides into the surreal.

During a joint operation by Czech and Austrian police officers against an illegal rave party in the border forest, young Austrian policewoman Johanna tragically dies and a Czech drug dealer named Sicilian disappears mysteriously. A rookie cop refuses to let the killer of his colleague go unpunished.

Precariat meets high snobiety: With no-budget charm and wit, sophisticated characters, pointed dialogues, satirical social commentary and bitter plot twists, Sebastian Brauneis tells the story of a tenancy relationship in which law does not always mean justice, set against the backdrop of the Austrian housing market.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”