Catherine Terris

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

Peak Practice is a British drama series about a GP surgery in Cardale — a small fictional town in the Derbyshire Peak District — and the doctors who worked there. It ran on ITV from 10 May 1993 to 30 January 2002 and was one of their most successful series at the time. It originally starred Kevin Whately as Dr Jack Kerruish, Amanda Burton as Dr Beth Glover and Simon Shepherd as Dr Will Preston, though the roster of doctors would change many times over the course of the series. Cardale was based on the Staffordshire village of Longnor for the final series, but was previously based in the Derbyshire village of Crich, although certain scenes were filmed at other nearby Derbyshire towns and villages, most notably Matlock, Belper and Ashover.

In the fictional Yorkshire town of Wetherton, the unlikely duo of politically incorrect elephant-in-a-China-shop-copper DS Andrew Dalziel (pronounced Dee-ell) and his more sensitive and university educated sidekick DS, later DI, Peter Pascoe is always on hand to solve the classic murder mystery, while maintaining down-to-Earth wit and humour.

Instead of spending her golden years lying down, the indomitable Hetty Wainthropp found her calling late in life. Combining common sense, her husband, and her pocketbook, this senior sleuth takes on all the cases the police deem too minor.

Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.

Over the course of four decades, the personal lives of a quartet of Newcastle friends—Nicky, Geordie, Mary, and Tosker—intertwine with various political machinations, often for the worse: slum housing projects, police corruption, the rise of Thatcherism, political sleaze, and specific events like the 1984 Miners' Strike.

Follows the linked fates of nine bank robbers, led by George. It begins with the nine men meeting in prison during their appeal and traces each individual after the group escape from custody.

In 19th century England, wealthy young Annabella Lagrange lives a comfortable and secluded life on her family's country estate, where her parents own a glass works. As a child, she develops a special friendship with the charming stable boy Manuel Mendoza. When she turns 18, she marries her cousin Stephen and sees what the world is really like.

Sunshine is a three-part comedy drama that began on 7 October 2008 on BBC1 from the co-writers of The Royle Family and Early Doors. These co-writers, Craig Cash and Phil Mealey, also appear in the series.

A schoolgirl who has been missing for weeks returns home covered in bruises. She says two women kidnapped her, held her captive in an isolated house and beat her. Taken by the police to the house she described, she identifies it and the mother and daughter who live there. They call in a lawyer, who has only days to find evidence that will break the girl's story.

The poor son of a house maid is determined to find success and win the love of Vanessa, the daughter of a wealthy family who is alienated by her social-climbing parents.

İngiliz bir grup emekli arkadaş emekliliklerinde lüks ama daha ekonomik bir tatil geçirmek isterler. Reklam broşürlerinden Hindistan'daki Marigold Hotel'i keşfeden arkadaşlar, uzak doğuya yaptıkları bu seyahatlerinde beklediklerinden çok daha farklı deneyimlerle karşılaşacaklardır. Zira Marigold Hotel sandıkları kadar lüks değildir ama Hindistan insanlarının sıcaklığı, misafirperverliği ve bu renkli ülkenin sevecen egzotikliği Amerikalı turistlerin yepyeni duygularla tanışmasına aracı olacaktır.

A tough nun (Anna Massey) demands belief and obedience from convent schoolgirls (Katrin Cartlidge, Oona Kirsch) in World War II England.

Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.

In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but meets a man who may see her differently.

Based on the true story of Shelia Bowler, accused of murdering her elderly aunt.

When a new arrival, a titled lady no less, arrives to shatter the genteel status quo of the St. Elmo Hotel, the entrenched residents are soon sharpening up their knitting needles for battle.

In "Pictures on Pink Paper" Rhodes analyses language as a cause rather than symptom of gender inequalities by looking at the ways in which the association of women with nature and men with culture is linguistically embedded, (seen, for example, in the consistent use of female pronouns to refer to "natural" objects). This film asks how women's oppression can be articulated without mimicking that very expression and language which defines power relations. despite the structuring of the women's voices the film is non-narrative - here, even time is broken down.