Vera Valdez

Susana, model olarak çalıştığı Paris'teki hayatını terk eder ve büyükannesi Pilar'a bakmak için Madrid'e döner.

Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

13-year-old Lucas makes a new friend in his classmate Lais, and joins her on an epic journey to find the father she has never known.

In Brazil of yore, ex-humans feed on a fleeting drug.

A group of young people is in a bar to drink, and they are trying to choose a story for the movie they are decided to make, but their characters are not very satisfied with the results of it.

Diego is a film director who, when he is told that he has a malignant disease which could be fatal, marries his girlfriend of many years, says goodbye to his friends and begins a routine of long days of treatment in hospital. While learning to live with the pain and also conversing with death, he meets a Hindu boy who is a fellow patient and who becomes his friend. But one day the boy disappears. Diego is discharged, but his life has changed forever. His marriage fails and, living alone, he begins to wonder whether he may in fact be dying and no one has told him. He tries to find out what happened to his Hindu friend, and eventually meets another woman.

Askeri cuntanın boyunduruğu altındaki Brezilya can çekişirken, yozlaşmış rahiplerin vaazları kıyametin yakın olduğunu söyler durur. Tüm bunlar olurken, kanunlarla arası hiç iyi olmamış bir aile, ülke topraklarını turlayıp, cuntaya başkaldıran bir grup rahibeye silah sevkiyatı yapmaya çalışır.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

Filho is a miserable bastard. He's divided between the duty of nursing his fanatic mother and his obsessive lust for Formosa - a whore of Satan . His dilemma casts him into an abyss of violence, witchcraft, death and demonic trance.

Released in 1966 by Vinicius de Moraes and Baden Powell, the record Os Afro-Sambas is one of Brazil's most revered. Participants of the original recording, critics, friends and family of the musicians revisit the creation of this masterpiece. Filmed between Salvador and Rio, the documentary brings together archive footage and exclusive interviews with Maria Bethânia, Dori Caymmi, Russo Passapusso and Nelson Motta. A tribute to a classic that transformed Brazilian music.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.

A marginal version of Brecht’s piece, “Baal”.

European couple arrive at the Republic of Maraguaya with a strange mission. But the involvement with a local man, whom they hire as an employee, will change their plans.

A man gets locked naked outside of his apartment.

In precise, unhurried compositions of image and sound, Lamar’s feature debut portrays a man and his dying wife, living in a remote hut in the hills of Paraguay. All the stages of mourning are passed through in a single day in this wordless account of an emotional earthquake.

Aunt Virginia is a 70-year-old woman who has no children and has never been married, and ends up being convinced by her sisters, Vanda and Valquíria, to move to another city in order to take care of her parents. Taking place in just one day, the film follows Virginia's preparation to receive the sisters who are coming to her house to celebrate Christmas.

Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Ailesini sarsan trajedinin ardından, bir adam insanlar arasında yaşayan efsanevi varlıkları keşfeder ve gizemli geçmişini onlar sayesinde aydınlatabileceğini anlar.

Interwoven with Shakespearean storylines, the miniseries depicts the daily life of a theater troupe from São Paulo, exploring the dilemmas and situations artists face both on and off stage.