Glenn Tilbrook
Oyuncu · d. 1957 · Woolwich, London, England, UK
Glenn Martin Tilbrook (born 31 August 1957) is an English singer, songwriter and guitarist. He is the lead singer and guitarist of the English new wave band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end. He generally writes the music for Squeeze's songs, while his writing partner, Chris Difford, writes the lyrics. In addition to his songwriting skills, Tilbrook is respected both as a singer and an accomplished guitarist.
Diziler8
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Big World Café was a music show on British television. Broadcast on Channel 4 in 1989, it was presented by Mariella Frostrup, Eagle Eye Cherry and Jazzie B. It was produced by Andrea Wonfor, who had previously worked on The Tube. During the programme's second series, Andy Kershaw was recruited to report on world music. Artists who appeared on the show included Les Négresses Vertes, New Order, Prefab Sprout and Wet Wet Wet.
Big World Cafe
1989
Filmler2
FilmMüzikBelgeselGlenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music.
FilmMüzikBelgeselA journey in the passenger seat of the ultimate solo tour. For former Squeeze frontman Glenn Tilbrook, touring meant 18 wheelers, hotel suites and police-escorted limos. Almost 20 years later, like many other established artists, Tilbrook's music now finds its audience through an independent route. In November 2001, to support the release of his debut solo CD, Tilbrook embarked on a different kind of independent route as he took to the road in America: One man, two guitars and a mobile home. "Glenn Tilbrook: One for the Road" follows him on every step of that journey: arriving in the States; picking up his mobile home; performing the shows; meeting the fans; camping at campgrounds; packing away his guitars. All access, all of the time. It's an intimate look at how an established musician adjusts to his new independent surroundings. It's a commentary on the current state of the music industry. But, most importantly, it's a human-interest story that transcends its musical base.