Dzhavlon Khamrayev

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

1943. Soviet intelligence Saeed Islambek, "26th", manages to infiltrate as an instructor in the SS special school, where defectors from Central Asia study. Loyal to his assistants become a scout-Uzbek Nadia, Secretary of the chief of the special school, and Deputy chief of the Gestapo Berg. When one of the most important military tasks are dying, sacrificing himself, Nadia and Sayid.

Eski doğu şehri Gupyabad'da neşeli ve kurnaz oduncu Ali Baba, annesi ve erkek kardeşi Kasy-anne ile yaşıyordu. Ali Baba bir gün kervanla birlikte oradan ayrılıp ortadan kaybolan babasından bir mektup alır ve peşinden Hindistan'a gider. Orada Rajah'ın kızı Prenses Margina'yı kurtardı ve onunla birlikte Gulabad'a döndü ve babası soyguncuların saldırısı sırasında öldü. Ali Baba evde, soyguncuların barajı havaya uçurduğunu ve şehri susuz bıraktığını öğrendi. Ali Baba'nın birçok macerası olmuştur. Hırsızların çaldıkları hazinelerin saklandığı mağaranın sırrını öğrendiği için şanslıydı. Ali Baba, kurnazlığı ve el becerisi sayesinde hırsızlardan kurtulmayı başardı. Arkadaşlarıyla birlikte barajı restore ederek Gulabad sakinlerine suyu geri verdi.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

The Cheka officers are conducting an operation to return the gold that the Basmachi plan to exchange for weapons.

The film takes place in Uzbekistan during the Great Patriotic War. Pulat and Bahor love each other, but the happiness of the heroes is prevented by a rich friend of the parents of a girl who sees her as her future wife.

The red commander Mirsharapov was sent to fight the Basmachi gang in Khiva. After the fighting, Junaidkhan's gangs are defeated.

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

Umar Sanginov's father was once forcibly removed from the country. Having been born on a different land, the grown-up son decided to return to his homeland. While completing the task of foreign intelligence, the hero voluntarily surrenders to the border guards, helps to expose the resident and prevent the explosion of the hydroelectric power station.

A biopic of Nadira, outstanding Uzbek poetess and public leader of XIX century, mother of Kokand ruler.

About the formation of Soviet power in Uzbekistan, the fight against the “Kokand Autonomy” and the Basmachi.

The plot is based on the story of a former teacher who became one of the leaders of the party leadership of Uzbekistan, involved in the "cotton business". He is accidentally killed by his own son in a shootout with assassins of party mafiosi.

1925. Soviet power arrives in the remote Karakalpak villages. During this time, the dzhigit Turumbet and the beautiful Jumagul fall in love with each other. However, after the wedding, the young wife leaves her husband’s home, unwilling to accept the Old Testament way of life of her husband's family. Turumbet, who participates in bandit raids, does not immediately understand the revolutionary changes taking place.

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

Journalist Murad Yakubov wrote a feuilleton about the bribe-taker and slanderer Nureyev, using materials from the party commission. But later, after studying other materials, the hero came to the conclusion that he had slandered a man who was trying to expose the mafia led by the regional committee secretary Nazirov.

20-th years. In the mountainous regions of the Pamirs, a dangerous epidemic is rampant. There was sent a caravan with a vaccine, followed closely by the local bandits as the hostage in the caravan should be, as they learned, their leader. It is not known to them only one thing: the leader is a double ...

A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.

A young huntsman Kamil comes to a distant backwater from Tashkent. He is settled in the place of his predecessor, in the house of Asal, a young strange girl who is painfully experiencing the premature death of her mother. The loneliness of the heroes will be replaced by a mutual need for sympathy and closeness. But one day, having witnessed the humorous flirtation of his beloved with a laboratory assistant, Asal will leave the reserve and will not respond to the long call of an alarmed Kamil.

A locker room janitor at the train station notices that a suitcase was put in a locker by a man, but pulled out by another man. This suitcase appeared to be stuffed with money. This incident allows a police detective to uncover a huge criminal organization responsible for theft, smuggling and murder.

Two-part epic about the establishment of Soviet occupation of Tajikistan based on the works of S. Aini.