Helmi Mareich

A mix between Italian neo-realism, German expressionism and Austrian exploitation.

The young Eva Heldmann has inherited a publishing house, which she is running in an exemplary fashion. However, she still has a co-heir, Stefan Gudewill, who is considered a good-for-nothing and who has been missing since he was 18 years old. With the help of a detective, Eva locates Stefan in a small town and goes to pay him off so she can run the publishing house alone. When she finally meets Stefan and gets to know him, she is convinced that he really is a good-for-nothing. But due to his rather swashbuckling style, she falls in love with him against her will. The two come together, but then split after a misunderstanding. Eva leaves, convinced she will never see him again. Yet one day, a new employee from the shipping department comes to her and Eva recognizes that it is Stefan, who wants to work his way up from the bottom to become a worthy partner.

A horse trader from Berlin, once a farmer in Southwest Africa, manages to drive his children out of the house and anger his wife. After serious complications with his heart, which he tried to hide at first, he realizes how much he needs the love and support of his family. The oldest son returns from Argentina and proves his abilities.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”