Magdalene von Nußbaum

A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

Post-war Germany: Like so many other women, Gerda Krause has lost her husband during the war and has to fend for herself and her two children. She finds work as a seamstress but refuses the offering of her department chief Zimmermann to upgrade her qualifications. One day she meets Uschi, an old friend of hers, whom she has helped with schoolwork before the war and subsequently lost track of. The reunion reminds Gerda of her childhood dream: to become a teacher. Thus, she decides to enroll at university to make her dream come true.

After WWII, Berlin lies in ruins. For Gustav, Willi and their friends the rubble provides an adventurous, dangerous playground. Especially for Gustav, it helps pass the time, as he longs for his father's return from a POW camp. One day a stranger arrives, looking helpless and hopeless.

During the global economic crisis, "Morgenrot" mine is due to be closed due to unprofitable results. With the use of a machine forbidden for security reasons, the mates try to work more effectively and thus save their jobs. A serious accident happens.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”