Soraia Sousa

A film about the egocentric and superficial youth and the evermore consumerist society.

New short film by Carolina Neves

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

Three brothers are confronted with an imposing father who avail them the heritage, identity and emotional intelligence: seven weeks is the deadline for each of them find the respect and love of a woman.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

A young man, alone in his apartment studying, witnesses strange events that begin with the television that insists on staying on.

A bunch of spectators trapped in a cinema theatre.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

After the news of his father's death, young designer Jorge inherits the country house where he grew up in northern Portugal. Influenced by his girlfriend Ana, a successful writer, and because they have to decide the fate of the property, the couple agree to stay for a while, never imagining what that trip will trigger between them. Bereaved, Jorge is confronted with his traumatic childhood and his troubled parental relationship. Ana faces a creative block, facing the futility of her early success.

Eva and her sisters live humbly in Lisbon, unaware that their lives are about to take an unexpected turn. When Gaspar, a wealthy businessman based in Angola, suddenly dies, he leaves his entire fortune to the three young women, who overnight become the owners of a great fortune and an entire estate in Angola. However, not everything will be a bed of roses: they will have to confront Talu, a young Angolan engineer who was excluded from Gaspar’s inheritance in favor of Eva. And despite being in opposite sides, neither Talu nor Eva will be able to resist the strong attraction they feel for each other. Among the breathtaking landscapes of Angola and the modern business world of Portugal, the young lovers will find themselves at the center of a web of antagonistic interests, in the dispute over Gaspar’s inheritance.

The Good Girls Club is a drama series that follows the capital's night, where sensuality and sex mix with politics, security, business and glamour, and which will accompany the story of 3 characters: the security guard, the owner and the new girl.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal.