Jürgen Juhnke

Maria is a record saleswoman by profession. She is lucky to have a job, because the year is 1930 and a major economic crisis has hit the world, accompanied by an army of unemployed people, especially in Germany. Maria is aware of her good fortune; in order to secure it, she has to do without many things. What business owner would employ an unmarried woman with a child in times like these? When Maria became pregnant, she, like many other women, had to become "active" and do something about this "misfortune". So she seeks "help" from a female doctor, trusting in her youth and hoping for better times when family happiness could come true for her.

Berlin’s last barrel‐organ player, Otto Steppke, is to receive the “Golden Cylinder” atop the shining “Berlin Moon” teleballoon above Alexanderplatz. Piloted old‐style by balloon, the gala flight, hosted by the operetta’s Frau Luna, promises Lincke waltzes and Kollos tunes. But Otto’s daughter, his ex Mrs. Pusebach, and intrepid reporter Telemann conspire (along with fickle love and capricious winds) to upend the hour‐long ascent in wild, music-filled chaos.

Her brothers and fiancé are at war. In 1944, Marta struggles alone with her gardening business. One day, a deserter turns up at her house. What to do? Marta decides to keep Steiner with her. A life-threatening decision: military police scour the village...

Ulf would do anything to win Biggi's heart. Because he wants to impress her, he decides to join the sailing club. Despite the mockery of his friends, he is not dissuaded from his plan and spares no effort to make an impression on his beloved. But she only gives him the cold shoulder, whereupon he manipulates her boat. As a result, Biggi ends up in last place in an important regatta race. Both are threatened with expulsion, which is why they have to pull themselves together.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.