Noel Collins

Doctor Who (Türkçe anlamıyla Doktor Kim) BBC yapımı İngiliz bilim kurgu televizyon dizisidir. Dizi; Doktor olarak bilinen, zamanda yolculuk yapan insansı Dünya dışı yaratık olan Zaman Lordu'nun maceralarını anlatmaktadır. Doktor, dışarıdan 1950'lerden kalma bir polis kulübesi gibi görünen TARDIS adındaki bilince sahip ve zamanda yolculuk edebilen bir uzay gemisi ile evreni araştırır. Doktor, yardımcıları ile beraber uzay ve zamanı keşfeder, sorunları çözer, yaratıklarla yüzleşir ve tarihe yapılan müdahalelere engel olur. Guinness Rekorlar Kitabı tarafından dünyanın en uzun süren bilim kurgu televizyon programı olarak listelenen dizi aynı zamanda İngiliz popüler kültürünün de önemli bir parçasıdır. Dizi iyi planlanmış hikâyeleri, ilk yayınlandığı dönemdeki düşük bütçeli yaratıcı özel efektleri ve elektronik müzik kullanımındaki önderliği ile tanınır.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

New Scotland Yard is a police drama series produced by London Weekend Television for ITV from 1972 and 1974. It features the activities of two officers from the Criminal Investigations Department in the Metropolitan Police force headquarters at New Scotland Yard, as they dealt with the assorted villains of the day.

A series of television plays, some original, some based on pre-existing plays or novels.

Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

Enemy At The Door is a British television drama series made by London Weekend Television for ITV. The series was shown between 1978 and 1980 and dealt with the German occupation of Guernsey, one of the Channel Islands, during the Second World War. The programme generated a certain amount of criticism in Guernsey, particularly for being obviously filmed on Jersey despite being ostensibly set on Guernsey. The series also marked the TV debut of Anthony Head as a member of the island resistance. The theme music was by Wilfred Josephs.

Juliet Bravo was a drama that focused on two female police inspectors, neither of whom were called Juliet Bravo! These two inspectors worked in the small fictional town of Hartley, Lancashire. Jean Darblay was on the scene first and had trouble with her sexist colleagues. However she soon managed to gain their trust and prove a woman could be a successful police officer and housewife. Jean's call sign was Juliet Bravo. When she was promoted and moved on she was replaced by Kate Longton who not only took over the patch but also the headaches that went with it.

Dramatisations of three different women, three different cases—Constance Kent (episodes 1–8), Mary Blandy (9–14), and Adelaide Bartlett (15–22)—all 18th- and 19th-century murderesses.

Pennies From Heaven is a 1978 BBC television drama serial written by Dennis Potter. The title is taken from a song of the same name written by Johnny Burke and Arthur Johnston. It was one of several Potter serials to mix the reality of the drama with a dark fantasy content, and the earliest of his works where the characters burst into miming to popular 1930s songs. During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent schoolteacher.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Play about middle class domestic abuse.

Jan and Meg Citron are on holiday in Germany. Their car is stopped by the police. A simple traffic offence? But their seemingly innocent past is ripped open and life will never be the same again.

In early 20th-century England, the Mooneys are an eccentric clan live in a large rural home. Invalid patriarch Pa is a retired medical doctor claiming to be 199 years old. Phoebe, the eldest daughter, runs the household. Eldest son Mortimer is a businessman who conducts the finances and contributes to the income. Younger daughter Monica is a sadist who keeps live rats as pets, frequently mutilating them and other small animals. Youngest son Malcolm is a half-wit with animalistic tendencies to the point where he's kept locked in a room with live chickens. But the whole family have a dark, furry secret.

Zena has been abandoned by her parents and left in the care of her aunt Bee Melvin. She is treated poorly by two of her cousins, and taking the lead from the story Peter and Wendy, she runs away from home with her younger cousin.

Dissatisfied with life with Jack, Penny offers a home to baby Zero and his homeless mother.