Maggy Maxwell

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

After his death, Fred Mumford wants a second chance at achieving the success that eluded him in life. Coming back to Earth as a spirit, he recruits a Victorian gent and a medieval jester to set up 'Rentaghost', a supernatural service for wanted hauntings.

Supernatural is a 1977 British anthology television programme broadcast on BBC One. Each episode follows the Club of the Damned, where a prospective member is required to tell a horror story, and their application would be judged on how fright factor. Applicants who fail to tell a sufficiently frightening story are killed.

That's My Boy is a British sitcom produced by Yorkshire Television for ITV from 1981 to 1986. It stars Mollie Sugden as Ida Willis, who takes a job as a housekeeper for her son, whom she gave up for adoption years earlier.

Pennies From Heaven is a 1978 BBC television drama serial written by Dennis Potter. The title is taken from a song of the same name written by Johnny Burke and Arthur Johnston. It was one of several Potter serials to mix the reality of the drama with a dark fantasy content, and the earliest of his works where the characters burst into miming to popular 1930s songs. During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent schoolteacher.

The Love School is a BBC television drama miniseries originally broadcast from 22 January to 26 February 1975 about the Pre-Raphaelite Brotherhood. The series was written by John Hale, Ray Lawler, Robin Chapman, and John Prebble, and directed by Piers Haggard, John Glenister and Robert Knights. The drama was a significant influence on the subsequent 2009 series Desperate Romantics. It was also the basis of the historical novel of the same name by Hale.

Harry Lomart, cinayet suçundan dolayı hapishanede yatmaktadır. Karısı Pat, 6 ay sonra onu tekrar ziyaret eder. Artık onu beklemek istemediğini ve başka birini bulduğunu, üstelik hamile olduğunu itiraf eder. Harry, bu duruma öfkeden deliye döner ve ziyaretçi odasındaki ayırıcı camı kırarak Pat'i boğazlamaya çalışır, ancak gardiyanlar buna engel olur. O andan itibaren Harry'nin aklı tek bir düşünceyle meşguldür: artık eski eşi olan Pat'i öldürmek. Harry, hapishaneden arkadaşı Birdy ve yaşlı mahkûm MacNeil ile birlikte kaçmayı başarır.

Another stab at Henry Fielding's hilarious novel about the amorous misadventures of a dashing young man in 18th century England. The brilliant 1963 version, starring Albert Finney as the lusty hero, won four Oscars. Joan Collins does a great job as a Wicked Lady style highwaywoman.

In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.

A British play about homelessness by Jeremy Sandford, writer of "Cathy Come Home", first broadcast as a BBC Play For Today. It details the deterioration of Edna, a homeless alcoholic and was made at a time when vagrancy was still a criminal offence.

Composer, conductor and teacher Peter Ilych Tchaikovsky struggles against his homosexual tendencies by marrying, but unfortunately, he chooses wacky nymphomaniac Nina, whom he is unable to satisfy.

Russell's composer biopics were usually labours of love. However, this was the opposite: Russell regarded the music of Richard Strauss 'bombastic, sham and hollow', and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. Strauss is depicted in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche's philosophy, duels with jealous husbands, literally batters his critics into submission with his music, and glorifies the women in his life and fantasies.