Dajana Čuljak

Through globalization, many countries have been opened and barriers removed to ensure easy trade, travel and cultural diversity. However, this openness has given opportunities to criminals looking to exploit the system and ultimately threaten our global safety. As Europe has become a "safe house" for criminals eluding law enforcers, a special kind of law enforcement team is needed to handle specific ongoing crimes on a global level. "Crossing Lines" is the story of one such team, made up of five international cops, headed by Captain Daniel. The team - comprised of individuals who have little in common - must learn to live and work under the most dangerous and potentially deadly conditions. Housed in an unused storage section underneath the ICC, this mismatched team faces bureaucratic, jurisdictional and cultural obstacles while traversing continents in pursuit of justice.

Marta, Paula, Ana and Olga, once inseparable high‑school friends, are torn apart by a cruel scheme that topples Olga from her pedestal, only to confront each other again twenty years later when she returns and their lives intertwine once more.

Marina Kapov is a cleaner at a Zagreb police station and a single mother of three. Although she hides her exceptionally high IQ of 160, her talent becomes impossible to ignore after she accidentally solves a complex case that seasoned detectives failed to crack. Recognizing her abilities, the police hire her as a consultant, pairing her with inspector Tomislav Ramljak, a strict, rule‑bound investigator. Their contrasting personalities gradually turn into a strength as they work together to solve challenging crimes.

Bir inşaat patronu, zor durumdaki bir gazeteyi satın alır ve hem güç hem de kişisel çıkar için yazı işlerini etkisi altına almaya çalışır.

Procedural drama television series that follows a mountain rescue team. Episodes feature rescue missions ranging from illegal activities, natural disasters, and reckless conduct - to lighter fares such as eternally unprepared tourists.

For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba diving attraction in Croatia. The ship lies on the seabed of the waters close to Brijuni Islands where in 1956 Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the formation of the Non-aligned Movement. By employing visually impressive shots, the film establishes a signature spatial and temporal narrative, at the same time entering the space of fusion of personal and collective memory and dismemory, which, in the context of political and economic changes that have been occurring in Croatian society for the past several decades, acquire metaphorical and symbolic meanings, imbued with powerful socio-psychological implications.