Heidrun Perdelwitz

For years, the carpenter Tillmann Rutenschneider has moved around. In 1932, at the age of thirty, he returns to his village in the Mark Brandenburg with a foreign wife. He builds a house and starts a family. It wasn't long before he became a victim of the new racial laws. His house is set on fire, his wife and child burn to death in the flames. He himself is sent to a concentration camp. After liberation, he returned to his home village, started a new family and built a new house. He joins forces with resettlers to form a cooperative, enforcing the land reform in his very own way. Tillmann falls into debt, gets into trouble and ends up in prison. He has to sell his house to pay off his debts. Released from prison, Tillmann Rutenschneider makes his way back to his village.

Devi, in her mid-thirties, is in the midst of a life crisis. She walks dogs in Berlin's Prenzlauer Berg district and has neither a husband nor a child nor a successful career to show for herself. She is also searching for her great childhood sweetheart, Jonny Miller, with whom she lived in a shared apartment, but all she knows is that he lives in New York. Her search proves fruitless. Devi decides to leave everything behind, sublet her "apartment with stove heating," and go straight to New York to look for Jonny Miller. But everything turns out differently...

Johanna is a dedicated female scientist in a near-future world. Her research team develops a drug called "Petersein masculinum 199," capable of transforming a woman into a man. Driven by scientific curiosity and an unrequited love for her cold project leader, Professor Peters, Johanna volunteers as the first human test subject.The chemical process succeeds, and she becomes a man named Johann Anders. However, the physical triumph quickly turns into a psychological crisis. As Johann, she experiences the world from a male perspective and is shocked by what she finds. The men around her live in a world of emotional detachment, power struggles, and casual sexism.When Johann sees how the Professor emotionally mistreats his own daughter, the illusion shatters. Horrified by the lack of empathy required to thrive in this patriarchal society, Johann ends the experiment on day 29. She chooses to change back into a woman, rejecting the toxic male world.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Wolffs Revier is a German television series.

Für alle Fälle Stefanie is an German medical drama television series created by Werner Krämer that aired on Sat.1 from May 15, 2005 to August 29, 2005. It was produced by Novafilm Fernsehproduktion. Für alle Fälle Stefanie follows the professional and personal life of nurse Stefanie Engel, then Stephanie Wilde and for a short time Fanny 'Stephanie' Stephan. The show was a giant success for the network and had around seven, in later years, five million viewers on a weekly basis. It won the Goldene Kamera award in 1997 and the Bavarian TV Award in 1996.