Effi Rabsilber

With the appearance of a mysterious stranger, the absurd everyday life of four people living in an abandoned vacation resort in the woods comes apart at the seams.

Paris, 1830: Octave, betrayed by his mistress, sinks into despair and debauchery. His father's death leads him to the country where he meets Brigitte, a widow who is ten years his elder. Octave falls in love passionately, but will he have the courage to believe in it?

In a society of abstract figures, 1000 people live imprisoned in an immense space, distinguished by their social class, like a hive of bees. Their ultimate goal is to produce light, but only one will be able to! 1000 Kings is a conceptual and innovative animation, a poetic meditation on the origins of the universe with a geometric approach and psychedelic colors, inspired by both Western and Eastern mythologies.

Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.

The film captures the way Yorgos Zois worked with his actors during the shooting of the film Interuption, as well as the atmosphere that evoked on the filming set.

After an accident that puts her in a coma, Maria Aliki, a struggling actress in search of major roles, enters a reality where she must play out all the possible roles life could have given her. Through this journey, she must discover who she truly is in order to return to life.

The future. A hi-tech-lab. Scientist P is testing quantum-android Q and takes of on a mission with it into an undiscovered nature. On the trip she discovers a ghostly remote effect between her and the robot. Will she keep control, when nature starts changing?

Earth has been abandoned for a long time and humanity has found refuge in outer space. Three archaeologists return to Earth to investigate the origin of a mysterious five tone signal…

Anna is a 30-year-old actress who strives to be looked at while Phaedra is a woman of similar age who doesn't know what it means to look or to be looked at, as she was born blind. When they will meet for the needs of a theatre role their encounter will catapult them in a complex web of tension, dynamics and, ultimately, reconciliation.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

Lord Patschog and his twin sister Myriel are having a party at their house, but both of them seem distant, with no interest in their guests. Trying to flirt with a young girl, Simon, the best friend of Lord Patschog specifies Lords character: a person estranged to his environment, unable to accept his own existence. The party ends suddenly when Lord passes through a mirror! We find him again at the other side of the mirror, a place where he is forced to face countless reflections of himself and to be the reflection of anyone who stands on the other side of the mirror. Soon his sister follows him.

Two women face the final moments of their relationship, navigating the tender rituals of goodbye. As they reflect on their separation, they immerse themselves in a world of care, loss and the transience of existence.

Küstenwache is a German television series that tells the fictionalized adventures of a unit of Federal Coast Guard officers off the German coast of the Baltic Sea.

Shows the interaction between Hamburg police officers and paramedics.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.