Sabine Haudepin

Paris, Eylül 1942. Nazi'lerden kaçan Yahudi yönetmen Lucas Steiner hayatta kalabilmek için tiyatrosunun kilerinde saklanır. Karısı Marion ise tiyatronun yönetimini üstlenir ve sahnelenecek yeni bir oyun için Bernard Granger adlı genç aktörü işe alır. Tiyatronun geleceği için bu oyunun başarı kazanması gerekir. Ancak Yahudi düşmanı eleştirmen Daxiat'nın gölgesi her an üzerlerindedir. Marion, hem tiyatrosunu ayakta tutmaya hem de kocasının hayatta kalmasına çalışmaktadır. Tüm bunlar olurken Marion ve genç Bernard arasında alevlenen aşk acaba nasıl sonlanacaktır?

İki erkek ve bir kadın arasındaki üç kişilik aşkın sinema tarihindeki en güzel anlatımlarından biri olan Jules ve Jim, sadece aşk değil, dostluk üzerine de sözleri olan bir film. Yakın arkadaş olan Jules ve Jim’in hayatları, Catherine ile tanışınca bambaşka bir yöne doğru savrulur. Her ikisi de aynı kadına aşık olsa da Catherine, ilk başlarda sadece Jules’a ilgi duyar. Bildik kadın kimliğinin çok dışında bir karaktere sahip olan Catherine için hayat, alışıldık sınırların çok ötesinde bir anlam taşımaktadır. İlk zamanlardan beri Jim’in ilgisinin de farkında olan Catherine, yıllar sonra onunla da bir yakınlaşma içine girer. Catherine’i terketmeyi düşünmeyen Jules’un da varlığıyla bu unutulmaz üçlü, birlikte yaşamaya başlarlar.

İlaç bağımlısı bir anestezi uzmanı olan Hélène ölen sevgilisinin yasını tutarken Gilles’i arabayla ezmekten son anda kurtulur. Gilles bir müddet peşinden koşar sonra vazgeçer; onun alt tabakadan maddi imkanları kısıtlı birini asla sevemeyeceğine inanmıştır. Fakat Hélène kendisine aşık olur.

An affluent, middle-aged couple's uneventful lives are forever changed when they move into an isolated house in the country and befriend an odd, younger couple.

The wife of a British diplomat in Paris takes a chimpanzee as her lover.

Pierre Lachenay, başarılı bir edebiyatçı ve yayıncıdır. Lizbon'a bir konferans için giderken Nicole isminde bir hostesle tanışır. Evli ve bir çocuk babası olmasına rağmen Nicole'a karşı duygularını engelleyemeyen Pierre, tüm varlığını kasıp kavuran bir aşkın içine düşer. Son derece dengesiz bir yapısı olan karısı Franca'dan durumu saklamaya çalışsa da duyguları, artık Nicole'dan ayrı yaşamaya dayanamayacak boyuttadır. Karısından ayrılmaya karar verir ama bu ayrılık herkes için son derece trajik bir sonla noktalanacaktır.

Samara, sirkte büyümüş bir traverten kazasından sonra bir iş adamı haline gelir. Ancak, elli yaşına geldiğinde ve sorumluluklarından ve oğlu Jean-Philippe'den bıktığında, denizde kaybolmaya karar verir. Bununla birlikte, eski çalışanlarından Albert Duvivier'e giriyor. Hayatındaki önemli şeyleri gözardı ettiğini fark etmeye başlar.

A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.

Robert Avranche, a middle-aged, alcoholic garage owner, is sitting on a train, reflecting on the emptiness of his life. An attractive young woman, Donatienne, suddenly enters the compartment and offers to make love to him. Robert accepts but, when the woman leaves the train afterwards, he decides to follow her...

Philippe and Daniel decide to go on vacation Southeast Asia, where they meet Hans, a European who livesthere and he becomes their guide and host. Once the holidays are over, before leaving to return to Paris, decided to give a small gift to Hans: a small piece of hashish.

After 10 years and two children together, Philippe and Marion, finally decide to take a honeymoon Holiday in Venice. At the train station, a abandoned bag filled with money will bring them to a different journey. A journey of doubt where reality never quite lies where it seems, leading from separation to reconciliation.

Claude Berri plays himself as he relates his own experiences through youth and adolescence. His father owns a profitable fur shop. Initially, Claude's father hopes his son will take over the fur shop, but he later gives in to Claude's desire to become involved in filmmaking.

A quiet cellist living in the countryside has his life disrupted when he accidentally bumps into a wealthy, temperamental woman in a Rolls-Royce. Angered by his indifference to her charm, she attempts to seduce him, but he resists her attempts to invade his peaceful life.

Home cook Rachel, a sort of Ma Dalton, has raised her sons Sam and Jeremiah, and her grandson, Nathan, in the cult of conning. From bad plans to petty theft, this friendly family of broken arms is always after the big score. Luck or fate, during a burglary, they steal a painting by Tamara de Lempicka without knowing its value. Céleste, a shrewd and charming detective, sets out in pursuit.

In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...

Jean-Pierre is a literature professor in Switzerland. Due to the vagarities of Swiss law, he is selected, basically at random, to be the guardian of a parentless teenage boy named Antoine. Conflict comes into the story as Jean-Pierre, who has just accepted a major promotion, must now deal with caring for a teenage boy he doesn't want to care for, as well as handling his own jealous boyfriend. Then his wife steps into the picture. Things get complicated from there as Jean-Pierre tries to get out of his guardianship.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.

Yvon Rance, who runs a hair salon in Brittany, only wants his beloved teenaged daughter Laetita to be happy, something he believes she'll be able to achieve by completing high school and then following in her father's professional footsteps. When Laetita tells him that she has been cast in the latest movie by renowned director Stephane, he is initially unimpressed. He grudgingly relents when he learns that the money she will make for a couple months of work is twice what he makes in a year.

In this romantic farce, former opera-singer and current music festival organizer Hermance (Judith Magre) is married to Charles-Henry (Jean Roquel). However, she still has a passion for her former lover Simon (Carlo Brandt), but he has a thing for Francoise (Sabine Haudepin). Meanwhile, Nathalie (Tonie Marshall) keeps trying to put the moves on Hippolyte (Jacques Bonnafe), who is either unaware of or is ignoring her efforts, while her lackluster former lover Christian (Michel Gauthier) looks on and stays out of the whole mess. Who comes out the worst in this deal? Naturally enough, it's Christian, the fellow who has, for good or ill, kept the most distance from it, when Hermance, who seems jealous of everyone, tries to get even with Simon for running off with Francoise. Don't worry, it's supposed to be confusing.

The action takes place - as the title suggests - in a Palace, a really nice hotel. Funny scenes happen in different places: the kitchen, the reception, the elevator, the rooms, ...

In the middle of the 1970s, in the north of France, an explosion occurs in a mine. Three men and their secrets are buried there. Alma, Solana and Caroline have to fight for the honor of their fathers, take their destinies in hand, and emancipate themselves in a period of great social upheaval.

It all begins when Lucien Lachenay (André Dussollier), famous builder of the moving sidewalk for the 1900 Universal Exhibition, saves the life of the beautiful Alice Avellano (Kristin Scott Thomas), whom her husband, who has gone mad, was trying to strangle. Lucien Lachenay is himself threatened by a group of anarchists who have instructed a young worker, Alphonse (Benno Fürmann), to suppress him. Alphonse messes up the job, but Lucien, impressed by his inexhaustible energy and thirst for knowledge, agrees to be his mentor instead of handing him over to the police. In the years that follow, Lucien, Alphonse, Alice and the young and attractive Laure (Isabelle Carré) will face the game of rivalry, betrayal and reconciliation.

When Germany invades France, Victoire is 20 years old. The war, the child whom it awaits from Arnaud, the beneficial influence of Natacha, exiled Russian, soft and revolted at the same time, the friendship who links it in Jeannette, the love finally, will make of Victoire a combative and courageous woman. She will know passion. When, become gynaecologist, it meets Gianni, a journalist who will fight at his sides for the emancipation of the women, it will be an adult love. But Gianni, one day, will be erased by understanding that never Victoire will not cease awaiting Nicolas...