Moritz von Treuenfels

1938 yılında, Avusturyalı, varlıklı bir noter olan Josef Bartok sakladığı önemli bilgiler yüzünden Naziler tarafından tutuklanır. Bir otel odasına kapatılan Josef, akıl sağlığını yitirmek üzereyken tesadüfen bulduğu bir satranç kitabı onun hayata tutunmasını sağlar. Kitabı satır satır baştan sona ezberleyen Josef, daha önce hiç oynamadığı bu oyunda ustalaşır. Sonunda özgürlüğüne kavuştuğunda ise, kader onu New York’a giden gemideki satranç turnuvasında dünya satranç şampiyonuyla karşı karşıya getirir.

On iki yaşındaki Marielle bir sabah zihin okumaya başlar ve sıradan bir ailenin sırlarla dolu hayatı çığrından çıkar. Bastırılmış düşünceler, unutulmak istenen anılar ve küçük yalanlar bir anda ortaya saçılır.

At the age of 20, Joachim is unexpectedly accepted into the renowned acting school in Munich and moves into the villa with his grandparents, Inge and Hermann. Between the bizarre challenges of acting school and the eccentric, mostly alcohol-fueled rituals of his grandparents, Joachim tries to find his place in the world — without knowing what role he actually plays in it.

Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...

Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

On a business trip, Eva meets 21-year-old Tom. After a one-night stand, Eva would like to leave her with this "slip-up". But Tom fascinates her too much, and so the successful scientist lets herself into an affair with him. While for Tom neither age difference nor any conventions are an issue, Eva remains doubtful.

A team of documentary filmmakers accompanies the advertising agency Kleiber & Partner in its work. We learn that you have to be prepared to fight for the big ideas. The creative minds at the agency, led by Lutz Wolf, are developing a campaign that will change German advertising film forever. Canned fruit has never been presented in such a fresh, crisp and deeply human way. Advertisers know: It's the idea that counts. The idea has to fly.

Honesty is the best? The original comedy tells of a farmer's clever family, which comes to this insight after some confusion. Director and author Thomas Kronthaler packages a fine morality about money, family ties and charity with a black sense of humor and a sense of subtle punchlines. In addition to Saskia Vester and Heinz-Josef Braun, who is mainly known through the films of Marcus H. Rosenmüller, shines not least the multi-award winning Gertrud Roll as a clever senior.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.