Mads Duelund

When his informant is killed, Brian "Smiley" Petersen and fellow narcotics officers from the infamous Uropatruljen battle a crime syndicate, using extreme methods that often cross legal boundaries.

Across three decades – the 1970s to the turn of the millennium – the lives of three boys – Lars Rolsted, Jon Olufsen, and Martin Lund Jensen – are explored, teeming with grandparents, Marxists, expatriate Danes, stolen kisses, rockers, pushers and welfare clients, yuppies and small, polite suburban punks.

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one's own happiness.