Regina Lamm

12 yıllık beraberliklerinden sonra ayrılmaya karar veren bir çift için, ayrılık sonrası işler bekledikleri gibi gitmez. Rimini için başlangıçta oldukça kolay görünen bu ayrılık, eski sevgilisinin ondan vazgeçmeyerek, hayatına giren yeni kadınlara varana kadar ilgilenmesi nedeniyle, zor bir hal alır...

Robert Law is 30 years old and lives with the obsession of giving his first kiss and breaking a world record. While taking care of a house in the suburbs of Buenos Aires temporarily, he runs into Laura who accidentally steps on Robert's hand, and unbeknownst to her he decides to follow her through the streets and they strike up a strange friendship, deciding to beat the world record with her.

Bu psikolojik gerilim filminde, karısının kendisini yeni doğan oğullarından uzak tutmaya çalıştığından kuşkulanan ressam Lorenzo'nun hayatı kontrolden çıkar.

Ivana Cornejo is just getting used to being single again after her divorce three years ago. After an exasperating call from her ex-husband, she throws her cell phone away. Fortunately, the man who finds it calls her to return it, and to her amusement they have an instant rapport. The man on the other end of the phone is León Godoy, a renowned architect with a charming voice and a charismatic personality. They schedule a date so that he can return the cell phone. When León arrives, Ivana is surprised: he is everything she had imagined, except for one unexpected and startling detail... he’s only 4'5" tall.

Jose is an elderly rebel who, after being refused a withdrawal at a bank, returns with a gun and threatens to shoot himself if he doesn't get his cash. Pedro, a young teller, is disillusioned with his life and sees Jose's stunt as a way out when he pretends to be taken hostage, leaving the bank with the old man and a hefty amount of money. The unlikely duo become friends, picking up tough-girl Ana along the way, while avoiding the police.

Arjantin derin bir ekonomik krizin eşiğindedir ve Peso hızla değer kaybetmektedir. "Vecinos de Pompeya" adlı beş kişilik bir tango grubunun karizmatik bandoneon çalan üyesi olan Julio Färber, hem müzikten hem de babasından kalan ayakkabı dükkanından kazandığıyla hayata tutunmaya çalışmaktadır. Geçim sıkıntısı iyice artınca Julio, Buenos Aires' sonsuza dek terk etme kararı alır. Ancak tam o sırada hayat ona karşı birleşmiş gibidir: Hükümet bir gecede ülkedeki tüm banka hesaplarını dondurur. Bu durum Julio'nun uçak biletlerini almasını engellerken, şehirde de şiddetli protestolar patlak verir.

Historical film that focuses on political and social events took place in Argentina during the beginning of the 30s. Santafecino Deputy Lisandro de la Torre complaint in Congress Argentine meat business with England.

A film about the life of Juan Ramón Duarte, Evita's only brother. His ascent, his excesses, and his demise, in the times of Juan Domingo Perón.

A nameless man receives phone calls intended for someone else and ends up pretending to be that person, while a female character rebels against her author.

A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.

Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?

Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.

Dreams and reality mix-up in the life of a middle class woman in his 20s who is depressed and distressed.

A long-distance bus is assaulted, and in the tragic event the wife and son of a well-known lawyer die. After three months of rest, he leaves the hospital, with only one thing in mind: to avenge the death of his loved ones.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

In seven scenes set in South America, the film deals with the various conflicts and (power) relationships between men and women. The individual episodes also deal with specific female role models: the bride, the wife, the rival, the abandoned, the fiancée, the abused and the determined. The scenes show a passionate, romantic longing for love, but also the harsh reactions when a promise of happiness is not so easily fulfilled. It is about heartbreak and longing, jealousy and hatred, exploitation and self-inflicted submission. Nevertheless, the basic tone remains hopeful. The stylized images are structured by off-screen commentary and tango rhythms.

With 22 black pearls to cover her costs, a mysterious woman abandons a baby at an exclusive school for girls. Perla grows up there, along with her best friend, Eva. One day, Tomas arrives and seduces Eva, leaving her pregnant. The two friends decide to have the baby and raise it together, never letting anyone know who is the child's real mother. But on their way to meet Eva's family, there is an accident and Eva dies. Perla survives and since she was found with Eva's purse, everyone believes that she is her. Perla decides to play along so that she could keep the baby and also make sure that he received all to which he was entitled. But arriving at Eva's family's house, she finds that no one wants her there--not her "grandmother," her "uncle," or her "cousin," Malvina. She also discovers that the slime who seduced her friend is Malvina's boyfriend! But Perla takes control of the family's cosmetics firm, determined to secure the best future for her "son," Charlie.

90-60-90 modelos is an Argentine 1996 telenovela, produced by Telearte. It was aired on January 8, 1996, on Canal 9 in Argentina. It had two seasons, in 1996 and 1997. This is the story about beauty women, who had to choose their own destiny. The main roles are portrayed by Natalia Oreiro, Silvia Kutika, Osvaldo Laport, Coraje Abalos and Florencia Bertotti. The last episode included a parade, filmed in the Sheraton Hotel. The last episode was aired on July 4, and the telenovela was replaced by Los herederos del poder.

This series narrates the events that a series of characters experience around different spaces that have been emblematic at a certain moment in history and that are currently forgotten. It combines documentary with fiction to show the neglect produced by abandonment and how it affects the lives of the characters. Each episode deals with a different place.