Lilia Prado

A high priest tries to force a young beauty to marry a pearl trader who is masquerading as the god Balu.

The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.

Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Pre-Revolutionary setting; class conflicts and a romance across class-boundaries.

A man goes on a trip and then returns to his village pretending that everything went well for him.

Venusita falls in love with the son of a wealthy family whose mother sends her son off to the United States in order to keep the two apart. Not to be rejected so easily, Venusita visits Saurina the sorceress who comes up with a spell that kills off the merchant and zaps the son back home, but Venusita's problems are far from over.

In 19th-century Mexico, young orphan Alejandro is adopted by the wealthy, landowning Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Catalina. The two share a remarkable bond that seems unbreakable until Catalina, feeling the pressure of social convention, suppresses her feelings and marries Eduardo, a man of means who befits her stature. Alejandro vows to win her back.

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.

Mistaken identities, courtship woes, invalidated marriages, and sombreros de charro.

Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

Young Raúl looks for his ex-girlfriend Alicia to resume their relationship, but she responds that she doesn't love him anymore. The young woman lives with her godfather Marcial in a hotel he owns.

The film is a typical whodunit story, combined with a "ranchero" and western flavor. A young engineer arrives to his godfather hacienda, along with his fiancée. But the things got complicated when the godfather's wife reveals that she had an affair with the young man. One night, the young man's father is murdered in the wood, and he will look for revenge.

Chón is rejected by his girlfriend Rosario's parents, so they both escape to the capital in search of his friend Manny, a millionaire philanthropist, who helps him but makes him adopt four children from his orphanage.

The family of a dying man celebrates his wake while the man is still alive, showing their darker, selfish ambitions and trying to take the best part of the inheritance.

Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.

Produced on a grand scale, the Mexican Talpa relates the simple story of two brothers. The older of the siblings, Tanilo (Victor Manuel Mendoza) is a well-to-do family man; the other, Estaban (Jamie Fernandez), is one step above a wastrel. When Tanilo is felled by illness, Estaban is forced to take over the family's blacksmith business. He also inaugurates a romance with Tanilo's attractive young wife Juana (Lilia Prado). Punishment is eventually doled out in a manner which suggests that God Himself is exacting retribution on the adulterous couple. Originally released at 87 minutes, Talpa was pared down to 73 minutes for American consumption.

"Faith-healer" develops a cult-like following in 1920s Jalisco.

The Galician Candida has a bakery in front of the butcher Robustito, who constantly berates although children of both Aurora and Rodolfo are in love. In the neighborhood where they live, the neighbors prepared a joke to the galician girl. She gets angry Robustito hard time believing him guilty of what happened.

The story of two half brothers who do not know they are such, who fight over a woman and nearly kill each other. One of them belongs to Los Gavilanes, a group of men who live live hidden and looting to give to the poor. Revenge, love and hate will at the end bring out the truth and everyone will get what he deserves.

Rolando, a millionare, travels to a remote island and meets the young and tough Tania, a local woman with great dancing skills. He falls in love with her and takes the girl to Mexico, but their relationship gets awry when Tania cheats on him with another man.

Johnny Carmenta is a gunman who heads a gang of gangsters. Carmenta secretly acts as a kind of El Zorro, helping the unprotected.