Gabriel Garbisu

Genç bir kadının annesi 15 yıl sonra kızını bulmak için geri döner, kızı annesinin eski erkek arkadaşlarından biriyle evlenmiştir. Aynı anda hem paramparça olan anne/kız ilişkilerini onarmaya çalışırlar hem de ortak aşkları ile başa çıkmaya gayret ederler.

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

Gloria is a porn artist that performs live-sex. When his mate gets sick he brings her a young substitute, Manu. The boy works surprisingly well and then Gloria decides to go into business with him. Things get complicated when Gloria discovers that Manu is in trouble because of his gambling debts.

Anna Luz, a married woman, rethinks her life when she receives the visit of a stranger who claims to be her neighbor from the floor below. His arrival coincides with the entry of a series of extravagant characters who, as in a dream, invade his house. Ana is then immersed in this succession of strange and wonderful events that will forever ruin what until then was a normal life.

Ana's husband is the perfect wealthy middle-class man. Koro's husband is a cook with no more ambitions. One day, Ana meets Koro in a night club and she proposes Ana to seduce each others husbands. The following morning Ana thinks this was a joke, but things are not always what it seems.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

An anthology of erotic stories by famous writers like Guy de Maupassant, Nicolas Edme Restif de La Bretonne, Marquis de Sade, Giovanni Boccaccio, Marquis de Foudras, Daniel Defoe, Anton Tchekov, Jin Ping Mei, and Aristophanes.

As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.