Lesley Nunnerley

Children's puppet programme featuring music and stories. Join George, Bungle, Zippy, and all their friends at the Rainbow House, always an exciting place to be.

The Expert is a British television series produced by the BBC between 1968 and 1976. The series starred Marius Goring as Dr. John Hardy, a pathologist working for the Home Office and was essentially a police procedural drama, with Hardy bringing his forensic knowledge to solve various cases. The Expert was created and produced by Gerard Glaister. The series was also one of the first BBC dramas to be made in colour, and throughout its four series had numerous high quality guest appearances by actors such as John Carson, Peter Copley, Rachel Kempson, Peter Vaughan, Clive Swift, Geoffrey Palmer, Peter Barkworth, Jean Marsh, Ray Brooks, George Sewell, Anthony Valentine, Bernard Lee, Lee Montague, Geoffrey Bayldon, Mike Pratt, Edward Fox, André Morell, Brian Blessed, Nigel Stock, Philip Madoc and Warren Clarke.

Rumpole of the Bailey is a British television series created and written by the British writer and barrister John Mortimer. It stars Leo McKern as Horace Rumpole, an aging London barrister who defends any and all clients, and has been spun off into a series of short stories, novels, and radio programmes.

The Main Chance was a British television series which first aired on ITV between 1969,1970,1972 and 1975. A drama, it depicts the sudden transformation in the life of solicitor David Main who relocates from London to Leeds.

A Family at War is a British drama series created by John Finch and produced by Granada Television for ITV. It broadcast from 14 April 1970 to 16 February 1972. 52 episodes were made, all but eight in colour. Episodes numbers 25 to 32 were recorded in black and white because of the ITV Colour Strike (November 1970 — February 1971). The Ashton family struggles to deal with the harsh realities of the Second World War as their sons are sent away to fight. Those who remain at home in Liverpool live in constant fear of a knock on the door with a telegram from the War Office or the Luftwaffe bombs overhead as they sleep at night.

Saturday Playhouse was a 60-minute UK anthology television series produced by and airing on the British Broadcasting Corporation (BBC) from 4 January 1958 until 1 April 1961. There were sixty-eight episodes, among them adaptations of the plays The Man Who Came to Dinner and The Cat and the Canary. One of the episodes, Alex Atkinson’s classic thriller Design for Murder, was featured twice on the BBC: first on Saturday Playhouse (Saturday, 15 March 1958; S1/Ep.6) and again from the BBC's own theatre in Bristol (Thursday, 6 July 1961).

This show was a series of six plays in which the hero of one was the villain in another, thus illustrating the good and bad sides of the characters.

Enigmatic asylum owner Dr Tremayne houses four very special cases. Visited by his colleague Nicholas, Tremayne explains his amazing and controversial theories as to why each patient went mad, be they a ritualistic 'luau', a time-travelling bicycle, a toy tiger, and a tree stump.

Jo, the mother of seven children, divorces her second husband in order to marry Jake, a successful but promiscuous screenwriter. Though they are physically and emotionally compatible, they are slowly torn apart.

Rock star Roddy Usher is confined to an insane asylum after murdering his wife. There, he is given various shock treatments by Nurse Smith and Dr Calahari, resulting in a series of bizarre and nightmarish adventures.

When a corpse is found in the Thames, the only clue is that the dead man was killed by a karate or judo expert.

A fateful Stranger's Meeting leads to a maelstrom of crime, deception and murder in this 64-minute British programmer. The beautiful Delphi Lawrence heads a stellar cast, including such reliables as Victor Maddern, Norman Rossington, Conrad Phillips and Reginald Hearne. The plot centers around acrobat Peter Arne, falsely accused of murder. Escaping from the authorities, Arne hides out in a rustic inn, allowing first-time director (and former cinematographer) Robert Day ample opportunity for dark, menacing shadows and sinister underlighting. The genuine murderer is revealed just seconds before the culprit's death. Stranger's Meeting was held back from release until Robert Day's "official" directorial debut, The Green Man, had made the rounds.