Edin Avdagić 'Koja'

Mirsad is a 62-year-old electrician who was raised and lives in a patriarchal society. His daily routine changes after the sudden death of his wife Enisa. Mirsad stays alone while his grown children live their own lives. As Mirsad tries to get used to a life without his wife, he realizes that he took her for granted and had not given her the love and care she deserved. Mirsad's relationship with his estranged son worsens after he discovers that the son lives with a male friend.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

Tarik lives alone and works in the warehouse of a supermarket. He's lonely and kills time hanging around with two colleagues. New worker comes to the small shop next to the supermarket. Tarik likes her and secretly starts to draw on the glass of the shop, hidden by the night, away from the prying eyes of society in which any kind of emotion is a sign of weakness.

Fudo is a drug addict who decides to quit heroin and reconcile with his mother after his best friend dies. However, people continue to perceive him as an addict and refuse to believe he has really changed. Estranged from the people around him and tortured by feelings of guilt over his best friend's death, Fudo is at risk of returning to his old life.

O gün, otelin çatısında yapılan TV yayınında politik duruşlar asırlık tartışmalara yol açarken otel müdürü aylardır maaşlarını alamayan ve tam da bu önemli günde grev yapmaya karar veren çalışanları kendine özgü yöntemlerle engellemeye çalışmaktadır. Grev sözcüleri bir bir ortadan kaybolurken en önemli konuklardan birini koruyan polisin tek derdi ise eşinin satın almak istediği kanepenin fiyatıdır.

A desperate photographer kidnaps his own newborn daughter after his deceased fiance's ex-husband manipulates the law to gain custody of the child.

A police officer Hamza has to work that night even though his wife has gone into labour, because the police are short-staffed. To make everything worse, it seems that people showing up at the station have decided to prove the old belief about the mysterious powers of the full moon and its influence on human behaviour. In the course of that one night, representatives of all the absurdity and tragedy of life in Bosnia and Herzegovina parade through the station and somehow help Hamza get ready for a new life.

Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.

Almir is a closeted gay man struggling with self-acceptance. Left high and dry by his married lover, Almir decides to spend New Year’s Eve with his dying friend Militsa. As the city celebrates, the two talk about their lives and loves, but does Almir dare to tell his closest friend his deepest secret?

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.