Yevgeniy Morozov

Russian comedy detective series centres around a ‘fixing’ agency set up to troubleshoot problems for rich Russians in London

The fishing village is a small image of a big country. It has its own rich and poor, hard workers and drunkards, liberals and statesmen. Here, the ridiculous is juxtaposed with the tragic, and the lofty is juxtaposed with the insignificant. This world protects itself. Every house, every family keeps its secrets. Egor will be able to reveal the terrible truth, but what price will he pay for it? What price will his countrymen pay for it?

Moscow. 60s. Young lawyer starts working in one of the most pow- erful legal services in USSR called Filial No 1. She needs to prove that her presence there is not accidental.

Nikolay Morozov has been both a revolutionary and a terrorist in his long life. Sentenced to a lifetime of hard labour, he spent 30 years in a tsarist prison. His hair had long turned grey by the time the Second World War broke out, but when he realised his country needed him he volunteered for the army. Nikolay was 87 at the time.

The year is 1930. In a small Tartar village, a woman named Zuleikha watches as her husband is murdered by communists. Zuleikha herself is sent into exile, enduring a horrendous train journey to a remote spot on the Angara River in Siberia. Conditions in the camp are tough, and many of her group do not survive the first difficult winter. As she gradually settles into a routine, Zuleikha starts to get to know her companions. The eclectic group includes a rather dotty doctor, an artist who paints on the sly, and Ignatov, Zuleikha's husband's killer. A screen version of the best-selling novel by Guzel Yakhina.

Fyodor a single artist suddenly discovers about his young brother who is living in a foster home.

A very busy Moscow day can drive anyone crazy...