Tom Krinzinger

A true story about Johann Georg Elser, a quiet carpenter who tried to assassinate Hitler with an explosive device in 1939.

Burgtheater recording, based on Shakespeare's play.

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

When a young mannequin manufacturer finds that he is no longer capable of making love, his wife hires a young mistress.

Ever since Rappelkopf was once deceived by a con man, he has become the epitome of a suspicious, stubborn misanthrope and a family nuisance. His wife and daughter, as well as his servants, suffer from his bad moods, accusations, and insinuations. The kind, alpine mountain spirit Astragalus, the King of the Alps, wants to rescue the grumpy man from his constant discontent and misanthropy. He promises to remedy his situation and makes Rappelkopf an offer he cannot refuse: he is to become his alter ego, to slip into another, better form. In the guise of his brother-in-law, the tyrant is to visit his family to convince himself of their loyalty and love. The King of the Alps, in turn, wants to appear as Rappelkopf, the living mirror of the true family despot, in order to morally purify him through self-knowledge.

A politician is afraid about his reputation

The story of the last days of Austrian farmer Franz Jägerstätter (1907-43), who was executed by the Nazi regime because of his refusal to compromise with a perverse system.

Vienna, a few days before the shots in Sarajevo which would trigger what was first called the Great, later simply the First World War: Job seekers from the crown lands flock to the capital of the empire in search of a better life, even if it's the factory hell . A new social class is growing faster and faster, the city overflows with the poor, lower-class workers and the unemployed. Labor fighters can be heard louder, better, clearer, every day. The nobility strongly suspects its end.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”