Sonja Deutsch

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Professor Von Dracula, a vampire scientist, leaves Transylvania for Cuba, where he invents "Vampisol," a potion that allows vampires to survive in sunlight. When the professor announces his intention to donate the formula free-of-charge to vampires all over the world, the Vampire Mafia from Chicago and the European Group of Vampires from Düsseldorf try to muscle in and steal the formula. The action escalates crazily as an assortment of bad guys, police, vampires and other monsters, and our hero and his girlfriend are all caught up in the chase.

Berlin, an old apartment building between the S-Bahn and the street. Seventeen people live there. The old photographer Kempinski, shrouded in his memories. Hannelore, dreaming of distant lands, temporarily sharing her apartment with her lovesick niece. Bona, who occasionally drinks a beer with his roommate and teaches French in the kitchen. The two teenage sisters with their newly in love mom. The medieval caretaker couple and the young couple whose daughter Paula would rather sit in the stairwell than go to school. On the face of it, they all have nothing in common apart from their home address. The film tells in microscopically accurate, realistic visual language and on changing levels of the common everyday life of small people.

Twelve-year-old Martin is a little too small for his age. Too thin and too quiet, as his mother is unfortunately always reminding him. He and his blue baseball cap are joined at the hip, or rather, at the head. Martin and his parents have just moved to the quiet little town of Bellbach. A new home, a new school, but no new friends. Even on his first day, there’s trouble...

Old Matthiesen isn't really very friendly with his daughter Esther. She has fled to her parents' riding stables with her 105-kilo bundle of joy son David because her boy is in trouble with the police again. To her and, above all, Matthiesen's surprise, her sisters Rahel and Thirza also flutter back into the nest: they all bring problems with them - and yet they want to help dad pay off his "latrinous" farm...

East Berlin, late 1970s: Because she doesn't really have any particular career aspirations, Marta becomes a nurse. And since true love is a long time coming, the 17-year-old seduces Monty, the young man next door. Then there are her parents' marital problems. Marta is in the middle of the exciting trials of growing up.

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.

Whether it's the appalling conditions in turkey fattening, the massive use of antibiotics in poultry farming or the improper killing of cattle - meat producers are under fire. In addition, feed exports from third world countries lead to hunger and misery there and meat exports to Africa destroy local markets. Filmmaker Jutta Pinzler spent over a year researching around the world. Her footage shows the devastating consequences of mass meat production.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The exciting stories about the cheeky chimpanzee Charly, who finds a new home with a Berlin vet family.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Der Staatsanwalt hat das Wort was an East German television series.

Herkese merhaba, ben Arı Maya! Neyi seviyorum? Özgürlük! Bu yüzden kovan yerine çayırda yaşıyorum. Arkadaşlarımla bin bir maceram var: Shelby salyangozu, solucan Max ... ve tabii ki Willy! Willy çok tembel ve açgözlü ... Ama o benim en iyi arkadaşım. Birlikte birçok maceraya atılırız! Hadi gidelim!

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.