Raul B. Fernandez

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

After an open mic night, JB and KG get a message from Michael Keaton who tells them that the time-space continuum has been disrupted at the Ford's Theater in 1850 and only Tenacious D can fix it.