Marco Bravo

This biopic follows Silvio Santos in his 1989 presidential race, as a young journalist joins his campaign to uncover his past and what drives him to run.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

Brazil, 1988. An unemployed tractor driver hijacks VASP flight 375 and orders commander Murilo to crash the plane on the Planalto Palace to kill the president - whom he considers guilty for the country's devastating economic crisis.

When Mari produces a music festival in Rio de Janeiro, she invites friends Tita, Aninha and Estrella to join her for another wild adventure.

It's just another luxury car being stolen on a street in São Paulo... or not. A thief easily gets into the SUV parked on a quiet street, but when he tries to get out, he discovers he is trapped, without water or food.

A woman leaves her career in dancing to dedicate her life to her husband, a famous politician. Fifteen years after, she leaves her luxurious life to resume what she left behind years ago.

Four candidates for a federal judge position embark on a madcap, no-holds-barred race to outdo one another, each committing his own brand of mayhem.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Paulo is an experienced doctor who works at a Primary Healthcare Unit on the outskirts of São Paulo. Using unorthodox methods, he focuses on preventative medicine. His routine changes with the arrival of Laura, a recently graduated and ambitious young woman.