Ahn So-yo

Hayatın mikrokozmosu olarak bilinen, birinin doğduğu, birinin hayatının sona erdiği hastanede sıradan gibi görünen ama aslında özel bir gün geçiren insanların hikayeleri. Beş doktor, 1999 yılında aynı tıp fakültesinde lisans eğitimine başlayan ve şu anda aynı hastanede meslektaş olan ve birlikte bir müzik grubu kuran 20 yıllık uzun süredir arkadaştır.

Bir kadın, lisede yaşadığı korkunç tacizden yıllar sonra, ona bunu yapanlara suçlarının bedelini ödetmek için ince ince işlediği intikam planını devreye sokar.

Öldürülen amcasını bulduktan on yıl sonra Ena ve Dedektif Hansaem, her biri tuhaf yapboz parçalarıyla birbirine bağlanan bir dizi benzer cinayeti durdurmak için birlikte çalışmak zorundadır.

Her Perşembe öğleden sonra, ayda bir, Sarang Lisesi'ndeki öğrenciler bir popülerlik anketinde oylarını kullandılar. Sonuç? Okulun tüm sosyal hiyerarşisini belirleyen acımasız bir sıralama sistemi. En alttan başladıktan sonra, yeni transfer öğrencisi Su Ji piramidin tepesine çıkabilir mi? Yoksa oyunu tamamen devirecek mi?

Eun-mi is just like any other woman her age, with the exception that she gave birth to her daughter, Jin-hee, while she was in high school. Living under the same roof as Eun-mi is no different for Jin-hee than raising her own daughter, and it's often difficult to determine who plays the role of the mother. Despite their roommate-like conflicts, deep down they know they can rely on each other when things get a little too chaotic. As a fresh day begins, Eun-mi and Jin-hee step into another day of their remarkable journey, where the ordinary becomes extraordinary in their uniquely intertwined lives.

Ju Eun-ho is an unknown announcer with 14 years of experience. She struggles to get the chance to have her name recognized by the public. She also has another personality, Ju Hae-ri, due to a deep wound in her heart. Her alter-ego, Ju Hae-ri, is super positive and works as a parking attendant. Jeong Hyun-oh is Ju Eun-ho's ex-boyfriend; they dated for a long time but broke up. He became a star announcer as soon as he joined the broadcasting station and is the most-liked announcer by the public, but Jeong Hyun-oh also carries a hidden wound in his mind that he has never shown to anyone. Somehow, Ju Eun-ho and Jeong Hyun-oh reunite and help cure each other's wounds.

Nam Geum Pil is a man in his 40's and he lives with his father and daughter. Out of the blue, he decides to quit his job. He receives criticism from his family, but he doesn't care. He freeloads from his friend when he wants to drink alcohol. Meanwhile, Nam Geum Pil becomes aware of a male neighbor who looks like an unemployed man, but he actually makes a lot of money as a webcomic writer. Nam Geum Pil then decides to become a comic writer.

After losing her laundry store to a fire incident, a single mom Duk-hee receives a call from a bank offering a generous upfront loan so she takes it right away. But soon after, she finds out that she has become a victim of a voice phishing scheme. Devastated, Duk-hee turns to the police for help, only to be more disappointed that there is no hope of retrieving her money. At the moment of despair, Jae-min, the phisher who tricked her, rings her phone once again to tip Duk-hee off about the criminal organization that locked him up and coerced him to make voice phishing calls from China. With that call, Duk-hee makes up her mind to investigate this case for herself and take a plane to China with her friends.

Albert Shin demonstrates all his directorial prowess and knack for creating stark yet vivid characters with this remarkable drama about two strangers who convene at a seaside motel in South Korea with very particular intentions in mind.

Roh Tae-woo is a figure who publicly presents himself as an 'ordinary man' while maneuvering behind the scenes beside dictator Chun Doo-hwan, who wields absolute authority. Surrounded by allies, rivals, and functionaries with their own agendas, Roh navigates a dense network of relationships in his bid to claim the top seat for himself.

Moon-jung is a caregiver who has a son in middle school. After getting divorced, she can't bear to bring him to her house, a plastic greenhouse she has converted into a home. She strives to raise the necessary funds to move into a real home for her and her son.

A wealthy couple seeks to secretly adopt the unborn child of an impoverished and troubled rural teenager, in this slow-burning and ultimately shocking drama from writer-director Albert Shin.

Hae-su works at a factory on the outskirts of Seoul. Returning home from work, she makes a phone call that goes to voicemail; nearing her residence, another phone call comes in, but she doesn't pick up. Inside the house is her mother's body—she died from mysterious circumstances. A knock on the door goes unanswered, but when a plainclothes police officer arrives, Hae-su lets him in. An exchange of documents, uncertain glances. With Hae-su and her tempermental brother the only attendants at her mother's funeral, there are more questions than answers.