Leila Cravo

Father and son are members of a decadent circus. Tired of being constantly criticized by the owner of the circus, Trombada, the ventriloquist, makes a joke about his boss, and the two fight. The clown Marreco hits their boss on the head. Now the two have to run from the police while living an adventure.

It is a film about the deep Brazil, not Brazil as a society, state or experience; it is a film about a geological, prehistoric and pre-logical Brazil. The adventures of the Caribbean monster, its wanderings along a virgin beach evoke, before Brazil, the artistic wanderings of a filmmaker in constant friction and, why not say, struggle against the mommy-daddy cinema, produced without taste, without joy and without adventure.

Womanizing dentist takes his wife for a vacation in Petrópolis, Brazil. In their hotel, a woman dressed in white visits the room of a different man each night, causing trouble.

In São Paulo, during the 1920s, a woman who is loved by a telegraphist and seduced by a slacker ends up in prostitution.

Girl gets pregnant and blackmails the four possible fathers.

A drama in the amazonian country.

Kiki Blanche is a former star dedicated to her family and her beauty salon, in the South Zone of Rio de Janeiro. In addition to Milena, her legitimate daughter, Kiki raises Fernanda, Paulo, Renata and Regina. The great conflict of the plot is Fernanda's passion for Fábio, a man also loved by Milena.

Five women inherit a fortune from a stranger, but to claim the money they must fulfill certain requirements. How much is it worth to choose our own destiny?

Sabrina is a wealthy young woman who hides her compulsion to steal from her parents – Hilda and Fred – and also conceals the fact that she rents a room at Lola's boarding house in the Rio de Janeiro suburbs, where she pretends to be a modest young woman looking for work. The parallel plots of the story unfold through these two distinct worlds in which Sabrina lives.