Christina Pistoletto

Filmler2

• Film10.0

  The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.

  Dei

  1968 · 1 votes

• Film10.0

  Belgesel

  A documentary on the entire works of the Italian sculptor Michelangelo Pistoletto who lives in Vienna. His mirror-images make him one of the most original, manifold personalities in the European art scene.

  L'homme noir

  1995 · 1 votes