Zoltán Schneider

Budapeşte yakınlarında bir mezbahada finans direktörü olarak çalışan orta yaşlarda, kendi halinde ancak engelli bir adam olan Endre, şirkete yeni gelen kalite kontrolörü Mária'dan hoşlanmıştır. Asperger sendromuna sahip Mária, Endre gibi herkesten uzak durmaktadır. Ancak şirketin psikiyatrı, bu iki kişinin birbiriyle tıpatıp aynı rüyaları gördüğünü ortaya çıkarınca, ikilinin arasında tuhaf, gizemli bir bağ olduğu anlaşılır.

1993 ile 1999 arasında, bir kişi Budapeşte'de 29 finans kurumunu soydu. Bankalar, postaneler ve hatta seyahat acenteleri suç çılgınlığına kurban gitti. Polisin, altı yıllık süre boyunca onu bulma ümidi yoktu ve onu bulma umudu yoktu. Suç mahallinde geride kalan tek ipucu, viskin farklı aromasıydı. Medya ona "Viski Haydutu" nu getirdi. Hiç kimseye fiziksel olarak zarar vermeyen birçok kişi, medya aracılığıyla maceralarını hevesle takip etmeye başladı. Kentin en büyük hokey takımlarından biri olan Attila Ambrus'un kalecisi olan Transilvanyalı bir göçmen sonunda “Viski Haydut” olarak tanımlandı. Polis sonunda onu yakaladı ... ya da öyle düşündüler.

This film is a tribute to a humiliated and destroyed nation. "As Long as the Grass Grows" is an alternative, ancient and humble creation story, where man is not the crown of the creation, but the weakest of all creatures. The film takes us back to the beginning of time, where Old Man begins to create the world out of a handful of mud. Everything he creates is new and nameless, and affects the rest of the world. Even feelings and desires are unknown and when they emerge, the world becomes more and more complicated.

Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade? Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter? Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was.

Marika is a young and beautiful girl, her family runs a fabric shop called White Peacock. Their life turns upside down when the train and the promise of the modern world arrives in their little hometown. However, not only the train arrives in the girl's life, but also two men: the rational and cunning Jenő Toll and the intelligent and dreamy Baron Pankotay. In Marika, the two men, new, strange feelings and family pressure break the usual balance. Marika must make a decision when the modern world threatens both the security and livelihood of her family. Her decision surprises everyone.

The film tells a story a womanizer boy meeting a rural girl in the country. They hide from a storm in a local pub, where unexpected situations occur.

Felix, a high rescue specialist, brings down suiciders from bridges in a city in crisis. His son, who secretly makes videos of dangerous rescues and sells them to TV, blames his father for the loss of his mother. As Felix tries to reconnect with his son and help people at any cost, dramatic events unfold.

Eager to impress the Queen of Sheeba, a young Solomon accidentally releases the devil Asmodeus from his prison. With the Kingdom of Jerusalem in peril, Solomon and Princess Naama work together to find an end to Asmodeus' evil rule.

A murder mystery set in 1936 Budapest, just as Hungary was preparing to align itself with Hitler. A beautiful young girl is found dead and nobody wants to investigate—except Gordon, a crime reporter who has a gut feeling that things are not what they seem.

After getting injured in a fight, the steward of the luxury steamer Honolulu Star encourages Smiling Jimmy to take over the job of the beaten stoker and waiter, in exchange for both of their wages. On the ship, he meets Mr. Irving, who is incognito, playing the role of the Archduke St. Antonio, as he wants to get to know the "underworld" from the inside. They teach each other how to avoid being exposed during their few-day adventure, and eventually, they switch roles. But the real adventure is only just beginning.

Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?

Hungary's favorite influencers arrive at a prestigious awards ceremony in Tihany to find out who has become the most successful videographer of the year. During the award ceremony, after the shooting of a faulty confetti cannon, the winner collapses on stage. Was there an accident or an intentional murder?