Fatima Horbenko

Artistic portrayal of the difficult personality of Bohdan Khmelnytsky and his dramatic life against the backdrop of National-liberation war in the mid-17th century and the Cossack state building. The main storyline shows Khmelnytsky not only as hetman and commander, but reveals his private life and his complicated relations with his beloved woman.

Irina, a small-town nurse, has a heart defect. According to the doctors' prognosis, her heart has not much time left to beat, and there is no one to take care of her six-year-old daughter Anna. Irina feverishly tries to find a way out and she gets the idea that Anya could be brought up by her grandfather - the father of the young man who left Irina pregnant. All she knows about her daughter's grandfather, Igor Vasilyevich Kutepov, is that he is a rather successful businessman and 63 years old.

On New Year's Eve, Denis tearfully asks his friend Yuri to replace him at work - to become Santa Claus. Yuri agrees, because his friend guarantees that he will have to do almost nothing. But on the first working day everything goes wrong, and the newly-made Santa Claus has to get out of it. Unexpectedly for everyone, and especially for himself, he copes perfectly. This was the beginning of a successful tandem - Snow Maiden Vika and Santa Claus Yuri. Soon the life of colleagues will change dramatically, because in addition to ridiculous situations at work, they will have to endure and personal dramas that will bring them very close. Yes, so that soon they will not be able to live without each other. True, to admit to each other in their feelings all the time lacks courage. But, they say that dreams come true on New Year's Eve....

A poignant professional directing debut of Kobas Laksa, a visual artist, photographer, performer and an experimenter. Larysa and Boris, immigrants from Ukraine, are raising their son Mitia together. They try to balance their private and professional life. Larysa plays the flute and tries to be admitted to the local philharmonic orchestra, while Boris is a street mime. When they seem to have luck on their side, an accident that happens forces them to redefine the vision of the future they have had so far. Very close to man, this kind of cinema is balanced and intimate, with a sparse use of dialogue and great consistency of the form.

Kateryna is beautiful, clever and by the will of her godmother was raised as a lady of noble blood. But for the whole world, she is only someone else’s property, a bondmaid of the richest landowner in Nizhyn – Chervinskyi. Struggling for her freedom and the right to be happy, she will have to endure the deaths of her closest people, become the property of a woman who hates and dreams to kill her, survive the popular uprising, escape while being chased by a maniac and flee from the one who wants to get her above all. What awaits Kateryna at the end of such a terrible and exhausting path to freedom?