Gilda Galán

The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.

In a small rural town, everybody lays eyes on Maruja, the most beautiful woman there. After the son of the mayor comes back from France, he also notices Maruja, setting forth events of love, jealousy, guilt, and anger.

Manuel, the manager of the (real-life) Hotel Condado Beach in San Juan, and his assistant Paquito decide to promote their establishment by offering free "honeymoons in Puerto Rico" to newlywed couples.

A selection of three short stories by Puerto Rican writer Abelardo Díaz Alfaro (“Don Procopio”, “Peyo Mercé enseña inglés”, and “Bagazo”), portraying typical characters of the Puerto Rican social and economic classes in the 1940's.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love.