Violaine Estérez

Üç “hiperseksüel” kadın, yeni deneyimler, biçimler ve uç arzular keşfetmek üzere 26 günlüğüne bir inziva evine davet edilir. Bir terapistin ve anlayışlı bir sosyal hizmet görevlisinin mesafeli denetimi altında katılımcılar hassas bir denge tutturmaya çalışır.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Five people are recruited by the Viking Society to collaborate on the first manned mission to Mars. They were chosen because of the psychological similarities they share with the five astronauts who will travel to the red planet. These volunteers therefore form a B-team of alter egos who will experience the adventure in parallel, behind closed doors on Earth.

Once a successful dancer, Miriam has abandoned her career to bring up her son, Serge, after her boyfriend walked out of her.

Three generations of a family struggle to be open with each other during a week of summer vacation at their country cottage.

One day Jean-Baptiste Beauregard (Pierre Curzi) does not go out to face work or daily activities, instead he daydreams about the women in his past, about his teenage years, his failed marriage, and even his boyhood desires. His mental images follow each other across the screen, revealing that the women in his life are all the same (different wigs and costumes on the same actress), and his love life never changes either. This sameness can have a dulling effect on the viewers, indicating that if Jean-Baptiste's reminiscences were trimmed and his daydreams more varied and exciting, he would hold interest a little longer.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.