Stéphanie Tchou-Cotta

Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris.

The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.

Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.

Based on the short story by Jorge Luis Borges, the tale recounts how its eponymous heroine avenges the death of her father.

A girl is in danger… surrounded by boys who love her… past…present…future.

The Cordier fight in family against the crime: the father is police captain, the son, investigating judge and the girl, a journalist.

In the aftermath of November 13 in Paris, Lucie, Malika and Vincent find themselves at the heart of the hunt for those responsible for the attacks. They are soon faced with the threat of further attacks.