Thomas van Luin

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

History teacher Jurre and public prosecutor Sarah each battle the criminal world in their own way. Although the two have been married for years, they keep their double life a secret from each other in order to protect each other and their family. The situation is getting more and more dangerous and their children are no longer safe either.

We follow the destructive life of 37-year-old Cat. People around her are worried. Cat is not. Due to a great loss within the family, which is largely not talked about, there is barely a sense of family left. Her mother IS a panic attack. Her father writes self-help books.

From the filmmaker's perspective, we follow the process of a possible feature film about a photographer (Lea) tasked with capturing the energy transition in Amsterdam's harbor area. This brings up a flood of memories and associations. What do you do with what hasn't gone well in your life? How well can you know someone dear to you? Filmmaker and character turn out to coincide more and more during the process.

When Sven provokes a fight after an evening out in Amsterdam his best friend ends up in a coma, and nothing is the same as before.

Mark suffers from an intense form of self-hatred, which translates into neglectful, chilling and destructive behaviour. Mark lives in an equally destructive and hateful town. The only exception is his dying grandfather who lives in a hospice. In the hospice, Mark meets Lisa, a nurse. Mark’s behaviour frees her from her angelic yoke, but their bizarre bond slowly starts spinning out of control.