Ken Loach

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

A surprisingly candid behind-the-scenes account of the career of Ken Loach, one of Britain’s most celebrated and controversial filmmakers, as he prepares to release his final major film I, Daniel Blake.

An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

A history of the Cannes Film Festival's Director's Fortnight selection.

Documentary feature about Czech director Jiří Menzel, featuring Menzel himself as well as Miloš Forman, Emir Kusturica, István Szabó and others.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Thirty-eighth documentary in the "Un film et son époque" series. It retraces the genesis, shooting and unexpected success of "Rosetta", a film by Belgian filmmakers Jean-Pierre and Luc Dardenne. Palme d'Or winner in 1999, "Rosetta" recounts the daily struggle of a young girl, played by Emilie Dequenne, who lives in a caravan with her alcoholic and depressive mother, struggling from one odd job to the next. All she wants is a normal life.

A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.

Marking Play for Today’s 50th anniversary, Drama Out of a Crisis is a compelling exploration of the series, its origins, achievements, controversies and legacies. Featuring a rich and surprising range of archive extracts and original interviews with many who created the series, including producers Kenith Trodd, Margaret Matheson and Richard Eyre, and directors Mike Leigh, David Hare and Ken Loach.

The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the social drama.

This documentary looks at the life of Jordi Dauder through an interview with the actor a few weeks before his death. From her interventions and people who knew him, the play explores the experiences of actor, from his artistic side as from his political convictions and life.

Part music documentary, part unflinching character study, part a punk version of ‘A Christmas Carol’ - I Get Knocked Down is the funny, surreal, and deeply human untold story of Chumbawamba and its ex-front man Dunstan Bruce.

This film sketches a very personal and decidedly political portrait of the Iron Lady who left the greatest mark on the UK, alongside Queen Elizabeth II. Archives and interviews are enriched by songs from this period that really help to understand the social atmosphere of that time.

The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.

The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.

This topical debate series based on Any Questions? typically features politicians from at least the three major political parties as well as other public figures who answer pre-selected questions put to them by a carefully selected audience.

The BBC's flagship cinema review TV program featuring reviews of new releases, news items and interviews. The title of the program changes each year to incorporate the year of broadcast.

A three series talk show. With the host in conversation with people whom he admires.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

Running for seven weeks from July 2007, each week focused on a different genre, examining British film by genre. Presented by Jessica Stevenson the series featured over 200 exclusive interviews with leading actors and directors including Sir Michael Caine, Sir Anthony Hopkins and Kate Winslet.

Exhaustive 13-part survey of the television medium from its hesitant beginnings in the 1920s to the multi-million dollar extravaganzas of today and the cable and satellite technologies of the future [relative to 1985]. Tackling the medium as a worldwide phenomenon, the series examines each of the principal areas of programming - news, drama, documentaries, and light entertainment - and the unique impact of "live" coverage.

An immersive look at how a young woman from a small village in 18th-century England became one of the UK's best-loved novelists.

Comedian Nick Helm narrates this bold new documentary series exploring the dramatic history of British cinema. Discover how cinema held a mirror up to society from 1960 through to the 00s.

Back in 2009, Victoria wrote a list of her favourite moments from her seminal 80s series, intending to use it as a compilation show of self-selected best bits. The list remained locked away in her personal office until now. It features familiar favourites and often overlooked gems, but as these two programmes explore, the chosen sketches serve as a prediction of what was to come in an unparalleled career that crossed just about every genre of stage and screen.

A documentary on the films of Ken Loach. Interviews with cast and crew who worked with Loach over the years. It describe his approach to allowing actors a wide range of freedom.