Svetozar Nedelchev
Oyuncu · d. 1933 · Burgas, Bulgaria
Svetozar Vasilev Nedelchev is a Bulgarian theater and cinema actor. He was born in the city of Burgas, Bulgaria on September 22, 1933. In 1956, he graduated in "acting" in the class of Professor Zhelcho Mandadhiev in National Academy for Theatre and Film Art, Sofia, Bulgaria. He has played in forty Bulgarian movies. He was an actor in the troupe of Drama Theater "Sofia".
Filmler11
Film4.2DramTwo trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.
Film8.0DramTarihThe protagonist in this picture is legendary Bulgarian Khan Krum - a ruler in the beginning of IX century. In this period, Bulgaria ranked third in Europe in terms of territory and military power. It is Khan Krum who contributed to the union of Bulgarians and Slavs. He enforces unseen to that day laws against calumniators, thieves, violators. It stirs discontent among his closest men. The ruler is smart and just, but isn't he too severe? At what cost can one ensure order and progress in a state?
Film6.4DramMaria is having great difficulty getting on with her parents because of their blind, consumerist approach to life. Traumatized by continuous family dramas, having experienced the disappointments of firs love, Maria decides to go up the mountain to a holiday home. There she meets a conceited architect, a shy teacher, a jurist, and a timid journalist (all of them representatives of the intelligentsia) who are domineered by the manager of the holiday home and his 'problems'. Maria's resignation changes into a rebellion against impersonal submission and sheep-like compliance with those who hold power.
Film7.0Komedi"Je t'aime, Chérie." These three words and a Bulgarian volleyball jersey is all Martina, a young working woman from Berlin, is left with after a night at the beach spent with a mysterious lover. But then she learns that she is pregnant, and once the baby is born, she starts for Bulgaria to search for her son’s father. The orderly yet diffident Thomas, an employee of the embassy of the GDR, joins her in order to provide diplomatic support. The quest, however, turns out to be rather difficult.
Je t'aime, chérie
1986 · 1 votes
Film8.2DramSuçThis is a psychological whodunit. The action is tense and there are many ups and downs. Vas, a young militiaman, has to pose as a ex-prisoner and infiltrate an international gang of smugglers at work in Bulgaria. Vas is involved in shady deals: in a web for smuggling drugs. The traffic in drugs is perfectly organized, every one along the chain is being checked up and shadowed. An elderly gentlemen, a harmless nuisance on the face of it, turns out to be one of the bosses. Vas's role as a double agent, in doing his efforts to become a trusted man among the dangerous criminals, faces him with many trials and he risks his life on several occasions. And no matter how strange it may appear, it is among these people that Vas meets the girl he falls in love with. A beautiful girl is tangled in the traffic web. She also falls in love with Vas. Just like the audience, the girl Sunny is not aware of the true personality of Vas in the racket.
Film8.0KomediAileTwo novels united by common characters and a never-settled problem: the clash between sincerity of children and the heartless pragmatism and ambitions of grown-ups.
Film10.0DramWar has come to a small Bulgarian town. The boy Mitko befriends a wounded partisan whom he hides in his attic. When the partisan goes into the forest, Mitko and his parents go with him. So the boy, having interrupted his childhood games, becomes a full-fledged member of the partisan detachment. One day, heroically defending his wounded comrades, Mitko dies in an unequal battle with the Nazis.
Film8.0DramGerilimMaria, a beautiful middle-aged woman, former participant in the fight against Nazism is killed. The investigator Urumov discovers the criminal. Urumov wants to know the reason why Dzherikarov has committed the murder. Dzherikarov is a former officer of the king army. Maria's memories expose the fact that she has arrested his commander in the past. By killing Maria, he wants to save his understanding of "officer's honor". Urumov sees that Maria's daughter leaves at the mother's grave an apple. In order to save her illusion, he eats the apple every time. In final talk with Dzherikarov, the murderer condemns himself to death and eats the apple.
Film8.5MaceraDramThe year is 1948 and a counter-revolutionary gang is active in the Pirin region. A State Security officer managed to infiltrate the gang. He becomes "one of their own", but isn't in a rush to complete his task.
- Film8.0Dram
The police trucks and the piled up dead partisans in the village square shatter the peace of the village. The people manage to not only bear these extreme conditions, but also manage to take part in history. An army blocks off the village. Arrests and interrogation are common. The partisans are hiding in the forest. One of the soldiers manages to run off to them. The pot maker is among their aids and is killed while completing a mission.
- Film8.0Dram
The film is based on the memoir 'In the name of the People' by Mitka Grybcheva, an activist in the anti-fascist resistance. The action takes place during the WWII and reveals the sharp clash between police power and resistance forces, headed by the Communist Party of Bulgaria. This is a time when, 'in the name of the people', the fighters are setting up underground combat groups, which punish with death their political opponents. The film's characters are specially trained for the purpose young people, members of one such combat group. Against the background of their risky task, in the execution of which they have to pay with their own lives, every facet of their characters stands out. Faced with death they reveal their intimate worlds, their unrealized youthful impulses that have been sacrificed in the name of commands, disparate from the Ten Christian Commandments.