Semir Krivić

“Komşuluk Halleri” filmi 2021 yapımı bir Bosna komedi filmidir. Film, COVID-19 salgınının etkileri altındaki Saraybosna’da geçmektedir. İnsanlar maskelerle dolaşmakta, günlük yaşamları hastalıklar ve kapanan işletmelerle sarsılmaktadır. Saraybosna’nın eski çarşısı Başçarşı, pandemi ve ekonomik zorluklarla mücadele etmektedir. Film, bu zorlu süreçte iki ćevapi üreticisi arasındaki anlaşmazlık etrafında şekillenmektedir. İki çocukları arasındaki aşk ve babaları arasındaki anlaşmazlık, şehirde kaosa neden olur.

The film deals with the tragedy of the women survivors of the Srebrenica genocide, or rather, the consequences of the horrors they experienced - it is about women whose sole purpose in life is to locate the bones of their loved ones and give them a decent burial. Fifteen years later, they still want just one simple thing - the truth. As a contrast, the film deals with trivialities of modern living, obsessed with different reality shows...

Alena is preparing for an important journey. Her family and co-workers do not want her to leave.

Sarajevo, after 11th September 2001. Karim works as deminer in the hills around the city while waiting to be sent to Iraq with his group. His main reason - the money. But a love story with unhappy ending will change his life. It's a tale about a love triangle between him, his best friend Juka and Ivana, girl from Belgrade, but at the same time this is a story about the clash between West and Islam and how one young Bosnian copes with this issue.

In the summer of 1993, a group of Bosnian refugees flee to Sweden due to the war in Bosnia. The Swedish Red Cross places refugees in a pavilion for migrants. Among them is the middle-aged married couple, Dervish and Adem. Dervish meets the Swede Ingrid in the pavilion and despite the language barrier, the two become good friends. Then, Dervish finds out that Ingrid is seriously ill...

A deep dive into the Bosnian War, that tore the country apart at the dawn of the 1990s, A Life’s Worth explores with intensity the unimaginable dilemma faced by the peacekeepers sent to the region, unable to intervene in a conflict that was beyond their control. A gripping series and a much-needed look back at one of the most violent wars in recent European history, prompting an essential discussion about the weight of commitment, interventionism, and the cost of peace.

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

After discovering a dead body in the National Museum, Inspector Edib and Mido are called to the crime scene. But the disappearance of the body and the hidden motives of the Museum lead them to a web of corruption and international crime.

The two worlds are different