Vladimír Zboroň

The life of a man after he experiences forgotten baby syndrome, unintentionally leaving his infant daughter in the back seat of his car.

In the 1990s post-communist Slovakia, former woods worker Miki takes his chances to start doing business at a local level and climb up the ladder to become the biggest mafia boss in the country.

The Last Autbus is short film processing the universal theme of human selfishness and fear. It is a disturbing parable of the animal kingdom, where heroes risk revealing their true character and on behalf of their own salvation are able to sacrifice and their relatives.

Just out of prison, Tomáš, a taciturn loner, takes a job cleaning houses where people have recently died. Things take an alarming turn when he begins putting in overtime: hiding behind closet doors after hours to secretly watch the homes’ residents. His voyeuristic ways soon lead to a romantic obsession with a woman in distress—but in order to help her, Tomáš will have to come out of the shadows.

After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.

Monika, a woman in her fifties, feels that she has reached all the important milestones in her life. Her child is grown up and she is very successful in her career as a workaholic. However, she has less and less in common with her husband, and her thoughts are increasingly returning to her youth, when she was not afraid to go off the beaten track and could appreciate the beauty of the moment. Monika decides to discover her adventurous self and enrols in a climbing course organised by Igor. He is the absolute opposite of Monika - a spontaneous and chaotic fool, a lifelong adventurer with no self-reflection and no sense of responsibility, who is mired in problems caused by his carefree lifestyle.

Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.

Tragicomic family film about the world of children heroes - particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before "Prague Spring" and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult's world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.

In 1980s CSSR, depressed Martin tries to overcome the feeling of being locked up with jazz music.

Grumpy handyman Laco loses everything to a group of mobsters. Now wheelchair-bound and with his life spiraling, it's his new friend Gabo, a local Roma who helps Laco see things with a new perspective. Revenge is sweet.

Inspired by true events of the 1989 Czech and Slovak Velvet Revolution and Václav Havel's controversial release of 23000 prisoners. In addition to the story of three families affected by communist persecution, the film Amnesty also deals with the uprising of prisoners in Leopoldov, which required military intervention. The uprising was preceded by a broad amnesty granted by Václav Havel in January 1990, just a few days after his election as Czechoslovak president.

The story takes place at the beginning of the 20th century. Little Lojzík, whose mother was killed by lightning, lives on a farm with his father and an old farmhand. The harsh world has taught him to perceive images that remind him of his lost mother's embrace. He searches in vain among people for someone to whom he can once again become emotionally attached. He finds no support or security in his father, his mother's sister, or his stepmother Róza, even though she was the only one who showed compassion for the boy at the beginning of their life together. The only one who truly shares Lojzík's fate as an abandoned child is an ordinary chicken...

A philosophical fairy tale based on the themes of Pavel Dobšinský about faith in man, the good in him, which only love can help to win. Princess Jasna also had such faith in goodness and love, which is why she endured with great difficulty the choice of her father - the king who, after the death of the queen, decided to marry Morana, whose only goal was to destroy all good among people, to elevate selfishness over love, avarice over compassion - and slowly succeeded in doing so in the land of Jasna's father. And because Jasienka refuses to live with Morana and behave according to her, Morana bewitches her until there is a groom who can express his love for her without words, guess her name and give her a gift like no other. For a long time there is no one who can do it, until a young man appears in the royal city, whom the brothers mockingly nickname Janko - the key-holder - only because he preferred a simple key from his father as a gift to the golden cluster...

A film about the lives of drug addicts. A story of love and falling into the abyss that has no bottom. At the same time, the story of a father who rescues his daughter from the arms of "sweet death".

Virtually without exception, a relation between parents and children is something that affects us throughout our lives. The first fiction film by award-winning documentarist Jaro Vojtek is an omnibus film about complicated relationships between parents and their children in which characters are challenged with long-term separation or declining health. Four stories titled Son, Marathon, Canary and Father tell four different tales that form a single view on the troubled relationship between parents and children. Each story takes place in a different season and together they create a multi-layered mosaic of relations reflecting hopes, disappointments and inevitable decisions. With a documentary filmmaker’s precision, Vojtek observes the characters and their behaviour, presenting an authentic picture of damaged family relations.

The Lord of the Springs finds the abandoned infant Pramek and unjustly neglects King Zoran. However, his daughter Dúhenka loves Zoran and becomes his wife despite her father's prohibition. The ruler of the springs becomes angry and deprives Zoran's kingdom of water as punishment. After the birth of her daughter Rosenka, Rainbow decides to sacrifice herself to save the kingdom and returns to the sky. Zoran and his daughter yearn in vain for years to meet Dúhenka. Rosenka grows up, she is fit for marriage, but she has one condition for the suitors: they must obtain rainbow water. But only Pramko can do that. And so the Ruler of the Springs must once again struggle with human emotions, and Rosenka and Pramko face many obstacles before they can convince him of the power of human love.

A marriage marked by the woman's mental illness, which not only determines the marital relations, but also makes the common life for both partners somehow emotionally deeper and stronger, although it eventually comes to an unexpected conclusion.