Marcus Hearn

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

David Prowse is an eighty years old actor, who has lived behind Darth Vader's mask during three decades. A group of Star Wars fans find out why he has been apparently forgotten by Lucasfilm during thirty years, and decide to give him back the glory he never had. This is their last opportunity.

Documentary that chronicles the making of the third film in Hammer's Dracula series.

A 55-minute documentary, detailing the creation of Doctor Who, including a rare interview with creator Sydney Newman, and new interviews with producer Verity Lambert, directors Waris Hussein and Richard Martin, actors William Russell and Carole Ann Ford, title sequence designer Bernard Lodge, and TARDIS sound effect creator Brian Hodgson

A short retrospective documentary looking at the making of the final Hammer Films production of the 1970s, "To the Devil a Daughter."

Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations.

Looking for Peter was a documentary about Peter R. Newman, writer of The Sensorites, and was included on the 2012 DVD releases of that story.

Dennis Wheatley biographer Phil Baker provides a brief history of author nearly 80 book career, covers the whole of Wheatley’s contentious relationship with Hammer studios, including his displeasure with The Lost Continent (1968) and his utter loathing of To the Devil a Daughter (1976). The feature is a examination of one of horror fiction’s influential voices and paints a picture that informs both The Devil Rides Out and Hammer’s occult output in their latter years.

Down Place will forever be associated with the company that turned a quiet English countryside mansion into a film making powerhouse, responsible for countless stomach churning, skin crawling, jump out of your seat horror greats. Hammer re-christened Down Place as Bray Studios. The community that developed amongst the crew was unique, facilitated by the fact that at its height a film was completed every six weeks. Watch as many of the most prominent members of the crew recall their time at Bray in this remarkable five part series.