Rina Morelli
Oyuncu · 1908 – 1976 · Naples, Campania, Italy
From Wikipedia, the free encyclopedia Rina Morelli (6 December 1908 – 17 July 1976) was an Italian film actress. She appeared in 34 films between 1939 and 1976. She was born in Naples, Italy and died in Rome, Italy. Description above from the Wikipedia article Rina Morelli, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Film7.7DramFilmde, 1860’ların İtalyası’nın hızla değişen toplumsal yapısına uyum sağlamaya çalışan yaşlı bir prensi canlandıran Burt Lancaster, statüsünü ve yaşam tarzını sağlama alma çabasıyla yeğeni Tancredi’nin (Alain Delon) zengin bir tüccarın kızı olan Angela’yla (Claudia Cardinale) evliliğini ayarlar; ve filmin final bölümünü oluşturan neredeyse bir saate yakın balo sahnesi boyunca, hem ait olduğu toplumsal sınıf hem de kendi geçmişiyle bugünü üzerine derin düşüncelere dalar. Birey ve toplum arasındaki etkileşimi büyüleyici ve görkemli bir dille anlatan böyle bir filmi, ancak Visconti gibi aristokrat kökenli bir Marksist yönetebilirdi. (Lancaster, rolünü Visconti’nin karakterinden yola çıkarak canlandırdığını söylemiştir). Aristokratların artık gücün yeni zenginlerin eline geçtiğini kabullendikleri balo sahnesi, haklı olarak sinema tarihinin en ustaca çekilmiş sahnelerinden biri olarak kabul edilir.
Film6.9DramRomantikOn dokuzuncu yüzyılın sonunda geçen film, karısı ile sevgilisi arasında kalan soylu bir erkeğin çaresizliğini konu ediyor. Erkek, karısının bir başkasından olan çocuğunu öldürdükten sonra canına kıyar. Film, sinema diliyle, Visconti estetiğinin son örneği olmasıyla ilgi çeker. Ama yönetmen filmde kişilerin toplumsal konumlarına değil, bireysel dünyalarına ilgi duyar.
Film7.2RomantikKomediA boy and a girl fall in love but their fathers take a strong dislike to each other, clashing repeatedly during the preparations for the upcoming marriage.
Film6.4KomediTarihTwo jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.
Film7.1DramProblems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.
Il bell'Antonio
1960 · 111 votes
Film7.2RomantikDram"Günahkâr Gönüller", 1866 yılında Avusturya işgalinin son günlerinde Venedik'te işgalcilere karşı tepkilerin dorukta olduğu bir zamanda, direnişin başındaki Kont Ussoni'nin evli yeğeni Kontes Livia Serpieri'nin Avusturyalı Teğmen Franz Mahler'le yaşadığı yasak aşkı anlatır. Visconti romandan farklı olarak filminde bu aşkı biraz daha geri plana iterek savaşı ve direnişi öne çıkarmıştır. Ayrıca Visconti teğmenin romandaki Remigio Ruz olan adını filmde büyük besteci Gustav Mahler'e olan hayranlığından dolayı Franz Mahler yapmıştır. Çöküşü ve çürüyüşü yücelten, bunu yaparken de zerafetle ustaca harmanlayan bu destansı film başta İtalya olmak üzere birçok ülkede sansüre takılmıştı. Film 1968'de ABD'de kesilerek gösterilebildi. "The Wanton Contessa" adlı bu İngilizce versiyonun bazı diyalogları Tennessee Williams ve Paul Bowles tarafından yeniden yazılmıştır.
Film5.7MaceraFantastikIn the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.
Film7.5KomediDramSix episodes (adapted from as many short stories: Gozzano, D'Annunzio, Guido Rocca, Marino Moretti, Alba de Céspedes and Oreste Biancoli), six love stories set in different moments in italian recent history.
Film6.6TarihDramBased on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, the dead husband happened to be a member of the Italian nobility, and the trial starts to turn into more of a prosecution of the defendant's socialist politics and the activities of his father, a well known liberal social reformer, than the actual crime itself.
Film5.2KomediA number of different segments taken from 19th century Italian stories.
Film6.2Komedi1821 Rome: Ulysses enrolls in the Italian Fascist party because he cannot find any employment. The first task entrusted to him leads Ulysses to the printer Fossati, where he's hired as an apprentice.
Film7.0DramA biopic of soprano Maria Malibran (1808–1836). A beautiful singer, Maria Malibran, is forced to turn to the stage after her husband takes to gambling, and goes to Paris where she falls in love with a famous violinist. When her money-seeking husband reappears, the couple go to London, where they find happiness. A composer falls in love with Maria but when his affections are unrequited, he becomes broken, takes to drinking and dies.
Film7.0KomediMarcello is engaged to Gina, the daughter of the boarding house where he lives, but he is undecided whether to marry her or not.
Film5.8TarihDramIn ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a Gallic gladiator. After Fabiola's father is killed, the Romans blame the Christians and the persecution begins. Rhual confesses to being a Christian, is accused of the murder and sentenced to fight to the death in the arena.
Fabiola
1949 · 11 votes
Film5.6DramTarihIn 1789, French poet André Chénier struck up a romance with a young aristocrat.
Le souffle de la liberté
1955 · 7 votes
Film6.5MaceraEverything unfolds in Naples seventeenth century, when a mysterious masked swordsman who calls Salvador Rossa becomes champion of the needy and lonely struggle against the cruel tyrant that frightens the country.
Film6.6DramFreshly released from a Russian POW camp, Italian soldier Bruno Baldi tries to discover who betrayed his brother to the Nazis.
Film4.5DramLittle Marco suffers from his parents' divorce. He runs away from home and is hit by a car. He drags on but eventually dies under a tree with pink leaves, remembering a story his grandmother told him.
Film7.0DramTV MovieSofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.
'O tuono 'e marzo
1975 · 3 votes
Film7.5Absurdism’s king of comedy, Luigi Pirandello, adapted a 1915 short story he wrote titled “Signora Frola and Signor Ponza, Her Son-in-Law” into a play two years later. Right You Are (If You Think Are) was presented in dramatic form as a “A Parable in Three Acts.” As in any instructive parable, the characterization is put fully into the service of delivering the lesson and thus creates mysteries about motivation that remain unresolved by the conclusion.
Film6.0KomediRomantikLove and jealousy in a female public school. Most of the co-eds are in love with professor La Rovere. One, Anna, accuses Maria to have an affair with him.
Film7.0DramA young girl falls in love with an actor. She persuades her father to support his acting company, but when she discovers him with another girl she runs away. Then everybody try to find her.
Film6.5BelgeselPo Nehri üzerinde balıkçılık ve kayıkçılık yapan insanların yoksul hayatları, doğaya karşı verdikleri mücadele… Antonioni bu filmini şöyle tanımlar: “Po’nun çocukları, her şeye rağmen, Po’dan kurtulamadılar. Mücadele ettiler, acı çektiler, daha da mücadele edecekler, acı çekecekler. Oysa, hiç kuşkusuz, acının itici karakterini, mücadeleye iten yönünü kaldırıp, onu olayların doğal düzenine sokabilirler.” John Berger, Antonioni'nin bu ilk filmindeki çerçeveleme tarzının, yönetmenin sonraki filmlerindeki stilinin habercisi olduğunu öne sürer: "Sanki ilgisi, her zaman için olayın arkasına yöneliktir. Kahraman hiçbir zaman merkezde değildir; çünkü merkez ne olduğunu tam anlayamadığımız, hatları belirsiz bir hedeftir."
Film10.0KomediIl nostro prossimo
1943 · 1 votes