Latifa Ahrar

On 11 June 1986, one day after Morocco wrote football world cup history by scoring a surprising victory over Portugal, government official Daoud is ordered to secure a bridge outside Casablanca that sits between two hostile communities over an empty highway. Here, he is to await the expected but by no means certain visit of King Hassan II. Encounters with government supporters and the families of political prisoners; the mysterious appearance of a foreign woman and a Berber, as well as the story of a football crazy boy all prove to be a bit much for Daoud. Ever since the bloody ‘bread riots’ five years earlier, he has felt paralysed. But the euphoria and the hope he encounters here help to lift his mood. The Moroccan team’s success unleashes a new self-confidence and lust for life that transcends the surreal shadow of the monarchy.

On the last day of Ramadan, a hastily assembled crew of technicians waits in a shabby Morocco television studio for the arrival of an important personality, expecting to film what their director Rita promises will be the interview of their lifetime.

Depicting a transvestite who worked for a family without them knowing her gender.

When a new manager who values the family institution believing that only married people can bring stability and efficiency arrives at a biscuit company. Mouna finds her job at risk, so she hires Nabil an actor to pretend to be her husband for a business dinner to remain inside the company as a marketing expert, but the manager's desire to deepen the relationship with Mouna and Nabil only complicated the problem, things become more complicated when the manager decides to move into the neighborhood of Mouna.

A Paris-based Jewish music teacher is battling a malignant tumor. Convinced that her days are numbered, she decides to return to Morocco to reconnect with her roots and regain forgotten childhood memories.

One biblical figure is revered by Jews, Christians, and Muslims alike. His name is Moses, the man who rose in power to defend a people, to free them, and to live in history like no other... The Ten Commandments dramatizes the biblical story of Moses.